• France

    21, rue Genevoise
    38 500 Voiron

    > See the website

    Ad Libitum Workshop

    The Ad libitum Film Workshop works to collect, preserve, restore and promote public and private films and audiovisual archives. Ad libitum has been fulfilling a public-interest mission to process and promote a collection of amateur films in the Dauphiné region (Isère and Drôme departments) since 2008. Ad libitum is a partner in creative projects and organizes artistic and cultural events.

    The Ad libitum Film Workshop brings together professionals in the fields of heritage, art and technology, to work on a public service project involving the preservation, restoration and promotion of archive films and, more broadly, of audiovisual works of all kinds.

    As a restoration workshop, Ad libitum is developing a wide range of activities in the field of cinematographic heritage: collecting, inventory, analysis, cataloguing, documentation, preservation, preparation and follow-up of digitization, restoration, management and promotion of collections, condition assessments and expertise of archive holdings, conservation recommendations.

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • restauration
    • ressources_pédagogiques
    • materiel
    • réseaux
    • publication
    • recherche

    Contact : Laure Sainte-Rose - Director

    libitum@wanadoo.fr

    France

    21, rue Genevoise
    38 500 Voiron

    > See the website

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    > See the website

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    • recherche
    [contact] => Laure Sainte-Rose - Director [contact_email] => libitum@wanadoo.fr [contact_image] => [create_date] => [email] => libitum@wanadoo.fr [text] =>

    The Ad libitum Film Workshop brings together professionals in the fields of heritage, art and technology, to work on a public service project involving the preservation, restoration and promotion of archive films and, more broadly, of audiovisual works of all kinds.

    As a restoration workshop, Ad libitum is developing a wide range of activities in the field of cinematographic heritage: collecting, inventory, analysis, cataloguing, documentation, preservation, preparation and follow-up of digitization, restoration, management and promotion of collections, condition assessments and expertise of archive holdings, conservation recommendations.

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    Plus d'information
  • France

    5 Constant Berthaut
    F-75020 Paris
    +33 1 46 36 79 78

    Alain Esmery

    Co-director of a TV series on amateur cinema: Objectif amateur (1990) – broadcasted by La Sept-ARTE. Director of production at the Forum des images, Paris (1990 – 2012). Co-founder of Inedits at the Paris meeting in 1991. Chairman of Inedits (2000-2009 then 2013-2016), Vice Chairman since 2017, Board member since 2000.

    Activités :
    • production
    • valorisation

    Contact : Retired producer

    gerardalain.esmery@sfr.fr

    France

    5 Constant Berthaut
    F-75020 Paris
    +33 1 46 36 79 78

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    F-75020 Paris
    +33 1 46 36 79 78

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    Plus d'information
  • United Kingdom

    St Georges Square,
    Lytham St Annes FY8 2NY
    United Kingdom

    > See the website

    Anna Briggs

    Anna Briggs is a moving image archivist specialised in non-fiction film heritage (comprising amongst others documentary, amateur, experimental, ethnographic, institutional, scientific, didactic and militant cinema).

    Her work experience spans curatorial work (exhibitions, screenings), film literacy (expertise/consultancy, teacher training, tailored events for audiences from kindergarten to reminiscence groups), archive research for experimental and documentary films, directorial work, lecturing (documentary film, cataloguing), academic research (information science field research in film archives on three continents, film history, film economics), co-founding and co-directing organisations (including community digitisation lab MIPoPS in Seattle), online resource design and curation.

    She was trained at the universities of Bristol, Naples, Siena and Tours (undergraduate), Bologna, UCLA and Paris 1-Pantheon Sorbonne (post-graduate). She has worked at Cineteca di Bologna, UCLA Film and Television Archive, Yorkshire Film Archive, Lytham Heritage Centre, Lancashire Archives. She has also carried out in-depth research at the following archives: Ardèche Images, Établissement de Communication et de Production Audiovisuelle de la Défense, Institut National de l’Audiovisuel, Bibliothèque Nationale de France, BP archives, Wellcome Collection, North West Film Archive, Filmmakers Cooperative, Electronic Arts Intermix, WGBH Boston, Witness, Doclisboa, Home Movies – Archivio Nazionale del Film di Famiglia, Archivio del Movimento Operaio e Democratico, Istituto Luce.

    She is currently exploring different avenues at the intersection of amateur arts practice, programming/curating, non-fiction moving images, lifelong learning, dementia and elder care, outsider art, mental health and wellbeing, cognitive science and epistemology, disability and accessibility.

    Activités :
    • documentation
    • numérisation
    • production
    • valorisation

    Contact : Anna Briggs - Archivist

    annamibriggs@gmail.com

    United Kingdom

    St Georges Square,
    Lytham St Annes FY8 2NY
    United Kingdom

    > See the website

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    Her work experience spans curatorial work (exhibitions, screenings), film literacy (expertise/consultancy, teacher training, tailored events for audiences from kindergarten to reminiscence groups), archive research for experimental and documentary films, directorial work, lecturing (documentary film, cataloguing), academic research (information science field research in film archives on three continents, film history, film economics), co-founding and co-directing organisations (including community digitisation lab MIPoPS in Seattle), online resource design and curation.

    She was trained at the universities of Bristol, Naples, Siena and Tours (undergraduate), Bologna, UCLA and Paris 1-Pantheon Sorbonne (post-graduate). She has worked at Cineteca di Bologna, UCLA Film and Television Archive, Yorkshire Film Archive, Lytham Heritage Centre, Lancashire Archives. She has also carried out in-depth research at the following archives: Ardèche Images, Établissement de Communication et de Production Audiovisuelle de la Défense, Institut National de l’Audiovisuel, Bibliothèque Nationale de France, BP archives, Wellcome Collection, North West Film Archive, Filmmakers Cooperative, Electronic Arts Intermix, WGBH Boston, Witness, Doclisboa, Home Movies – Archivio Nazionale del Film di Famiglia, Archivio del Movimento Operaio e Democratico, Istituto Luce.

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    Plus d'information
  • France

    75005 PARIS

    Anne Gourdet-Marès

    Anne Gourdet-Marès is a historian of cinematographic techniques, in charge of the camera collection at the Jérôme Seydoux-Pathé Foundation.

    Activités :
    • ressources_pédagogiques
    • materiel
    • publication
    • recherche

    Contact : Researcher specialized in film equipment

    anne.gourdet.mares@gmail.com

    France

    75005 PARIS

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    Plus d'information
  • France

    8 rue du Musée
    F-60000 Beauvais
    +33 3 44 22 60 55

    > See the website

    ARCHIPOP

    Since 2003, ARCHIPOP aims to collect, save and promote films reflecting the activities, events and daily life in Nord-Pas-de-Calais – Picardie.

    Created in 2003, the association Archipop gather over 1200 hours from more than 250 personal collections, representing more than 3000 reels. The collection grows each month with over 50 hours of newly acquired amateur movies.

    Archipop addresses to a wide audience through a set of actions and tools which supports uses and projects promoting archives :
    Public screenings, exhibition of still frames, screening with live music, participatory cataloguing, in-school workshops, production of contents for regional web TV, workshops, short films shows before main screening in cinemas, documentaries and multimedia creation…

    Archipop is also thought for a public with more specific expectations : organizations, local authorities, academics, students, researchers, authors, teachers, librarians, resource centers, archives, agencies, audiovisual professionals, artists (composers, multimedia creators, visual artists…).

    All these promoting actions are extended through collaborations and partnerships : Canopé Academy of Amiens, Inventory and Cultural Heritage Direction of the Regional Council, Jules Verne University, University of Technology of Compiègne, ABAC and Chrysalid (Cinémondes Festival in Berck), Historic Film Festival of Compiègne, National Circus of Amiens, Safir (regional authors and filmmakers)…

    Archipop is an association supported by the Regional Council of Hauts de France, the DRAC Nord Pas de Calais – Picardie, the County Council of the Somme, the County Council of Aisne, the CGET and several local authorities.

    Archipop owns a conservation center adapted to the film preservation condition.
    High definition digitization of films and videos is ensured by a trusted external provider.
    The cataloguing of audiovisual collection is completed on DIAZ, a database specifically tailored to amateur film archives needs.

    Création de la structure en 2003

    Activités :
    • collecte
    • conservation
    • documentation
    • production
    • valorisation

    Contact : François Raboteau - Coordinator

    contact@archipop.org

    France

    8 rue du Musée
    F-60000 Beauvais
    +33 3 44 22 60 55

    > See the website

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    Created in 2003, the association Archipop gather over 1200 hours from more than 250 personal collections, representing more than 3000 reels. The collection grows each month with over 50 hours of newly acquired amateur movies.

    Archipop addresses to a wide audience through a set of actions and tools which supports uses and projects promoting archives :
    Public screenings, exhibition of still frames, screening with live music, participatory cataloguing, in-school workshops, production of contents for regional web TV, workshops, short films shows before main screening in cinemas, documentaries and multimedia creation…

    Archipop is also thought for a public with more specific expectations : organizations, local authorities, academics, students, researchers, authors, teachers, librarians, resource centers, archives, agencies, audiovisual professionals, artists (composers, multimedia creators, visual artists…).

    All these promoting actions are extended through collaborations and partnerships : Canopé Academy of Amiens, Inventory and Cultural Heritage Direction of the Regional Council, Jules Verne University, University of Technology of Compiègne, ABAC and Chrysalid (Cinémondes Festival in Berck), Historic Film Festival of Compiègne, National Circus of Amiens, Safir (regional authors and filmmakers)…

    Archipop is an association supported by the Regional Council of Hauts de France, the DRAC Nord Pas de Calais – Picardie, the County Council of the Somme, the County Council of Aisne, the CGET and several local authorities.

    Archipop owns a conservation center adapted to the film preservation condition.
    High definition digitization of films and videos is ensured by a trusted external provider.
    The cataloguing of audiovisual collection is completed on DIAZ, a database specifically tailored to amateur film archives needs.

    [short_text] =>

    Since 2003, ARCHIPOP aims to collect, save and promote films reflecting the activities, events and daily life in Nord-Pas-de-Calais – Picardie.

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    8 rue du Musée
    F-60000 Beauvais
    +33 3 44 22 60 55

    > See the website

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    Since 2003, ARCHIPOP aims to collect, save and promote films reflecting the activities, events and daily life in Nord-Pas-de-Calais – Picardie.

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    • conservation
    • documentation
    • production
    • valorisation
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    Created in 2003, the association Archipop gather over 1200 hours from more than 250 personal collections, representing more than 3000 reels. The collection grows each month with over 50 hours of newly acquired amateur movies.

    Archipop addresses to a wide audience through a set of actions and tools which supports uses and projects promoting archives :
    Public screenings, exhibition of still frames, screening with live music, participatory cataloguing, in-school workshops, production of contents for regional web TV, workshops, short films shows before main screening in cinemas, documentaries and multimedia creation…

    Archipop is also thought for a public with more specific expectations : organizations, local authorities, academics, students, researchers, authors, teachers, librarians, resource centers, archives, agencies, audiovisual professionals, artists (composers, multimedia creators, visual artists…).

    All these promoting actions are extended through collaborations and partnerships : Canopé Academy of Amiens, Inventory and Cultural Heritage Direction of the Regional Council, Jules Verne University, University of Technology of Compiègne, ABAC and Chrysalid (Cinémondes Festival in Berck), Historic Film Festival of Compiègne, National Circus of Amiens, Safir (regional authors and filmmakers)…

    Archipop is an association supported by the Regional Council of Hauts de France, the DRAC Nord Pas de Calais – Picardie, the County Council of the Somme, the County Council of Aisne, the CGET and several local authorities.

    Archipop owns a conservation center adapted to the film preservation condition.
    High definition digitization of films and videos is ensured by a trusted external provider.
    The cataloguing of audiovisual collection is completed on DIAZ, a database specifically tailored to amateur film archives needs.

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    Plus d'information
  • Monaco

    L'Engelin - 83-85 Boulevard du jardin exotique
    MC-98000 Monaco

    > See the website

    Audiovisual Institute of Monaco

    Founded in 1997, the Audiovisual Institute of Monaco, formerly known as the Audiovisual Archives of Monaco, is a Monegasque association dedicated to safeguarding Monaco’s cinematographic and audiovisual heritage. In summer 2018, the Institute moved to a new location featuring an exhibition space, a small screening room and a reading and consultation area.

    The Institute now occupies three floors of around 450 m2 each: on the first floor, the administration and documentation department; on the first floor, the technical department and information systems; and on the lower floor, the conservation shelter.

    Essentially made up of audiovisual documents relating to the Principality of Monaco, the Institute’s collections comprise some 100,000 documents, including fiction, documentaries, newsreels, sound archives, and numerous amateur films. The Institute also collects documents relatied to cinema and its history: photographs, film posters, periodicals and books, and collectors’ materials. This collection, known as the non-film collection, is made up of donations, deposits and acquisitions.

    From the outset, the Institute has made Monegasque entities aware of the heritage value of the audiovisual content they produce. To ensure the best possible preservation of these materials, whatever their format, the Institute collects and safeguards them, through digitizaion and thorough documentation.

    Under the labels “Monaco through films” and “Film Tuesdays”, the Institute promotes its collections and, more broadly, highlights the history and heritage of cinema, through a cycle of films of high artistic value. This program, with its diversity of approaches, pursues the project of showing “All the art of cinema” in Monaco. It benefits from the High Patronage of H.R.H. The Princess of Hanover.

    Since 2020, consultation of the digitized collections and the film library has been open to the public, subject to prior registration. It benefits from the expertise of the Institute’s documentalists, who prepare the desired research topics in advance. The Institute’s website offers an overview of the collections, based on a simplified search system.

    The Institute is an associate member of FIAF – International Film Archives Federation, a member of FCAFF – French Federation of Film Archives and Cinémathèques, and a member of the association Inédits – Amateur Films / Memory of Europe.

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • restauration
    • ressources_pédagogiques
    • materiel
    • réseaux
    • publication
    • recherche

    Contact : Estelle Macé - Cultural Actions Manager

    estelle.mace@institut-audiovisuel.mc

    Monaco

    L'Engelin - 83-85 Boulevard du jardin exotique
    MC-98000 Monaco

    > See the website

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    Founded in 1997, the Audiovisual Institute of Monaco, formerly known as the Audiovisual Archives of Monaco, is a Monegasque association dedicated to safeguarding Monaco’s cinematographic and audiovisual heritage. In summer 2018, the Institute moved to a new location featuring an exhibition space, a small screening room and a reading and consultation area.

    [text] =>

    The Institute now occupies three floors of around 450 m2 each: on the first floor, the administration and documentation department; on the first floor, the technical department and information systems; and on the lower floor, the conservation shelter.

    Essentially made up of audiovisual documents relating to the Principality of Monaco, the Institute’s collections comprise some 100,000 documents, including fiction, documentaries, newsreels, sound archives, and numerous amateur films. The Institute also collects documents relatied to cinema and its history: photographs, film posters, periodicals and books, and collectors’ materials. This collection, known as the non-film collection, is made up of donations, deposits and acquisitions.

    From the outset, the Institute has made Monegasque entities aware of the heritage value of the audiovisual content they produce. To ensure the best possible preservation of these materials, whatever their format, the Institute collects and safeguards them, through digitizaion and thorough documentation.

    Under the labels “Monaco through films” and “Film Tuesdays”, the Institute promotes its collections and, more broadly, highlights the history and heritage of cinema, through a cycle of films of high artistic value. This program, with its diversity of approaches, pursues the project of showing “All the art of cinema” in Monaco. It benefits from the High Patronage of H.R.H. The Princess of Hanover.

    Since 2020, consultation of the digitized collections and the film library has been open to the public, subject to prior registration. It benefits from the expertise of the Institute’s documentalists, who prepare the desired research topics in advance. The Institute’s website offers an overview of the collections, based on a simplified search system.

    The Institute is an associate member of FIAF – International Film Archives Federation, a member of FCAFF – French Federation of Film Archives and Cinémathèques, and a member of the association Inédits – Amateur Films / Memory of Europe.

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    > See the website

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    Founded in 1997, the Audiovisual Institute of Monaco, formerly known as the Audiovisual Archives of Monaco, is a Monegasque association dedicated to safeguarding Monaco’s cinematographic and audiovisual heritage. In summer 2018, the Institute moved to a new location featuring an exhibition space, a small screening room and a reading and consultation area.

    [activite] => Activités :
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    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • restauration
    • ressources_pédagogiques
    • materiel
    • réseaux
    • publication
    • recherche
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    [create_date] => [email] => estelle.mace@institut-audiovisuel.mc [text] =>

    The Institute now occupies three floors of around 450 m2 each: on the first floor, the administration and documentation department; on the first floor, the technical department and information systems; and on the lower floor, the conservation shelter.

    Essentially made up of audiovisual documents relating to the Principality of Monaco, the Institute’s collections comprise some 100,000 documents, including fiction, documentaries, newsreels, sound archives, and numerous amateur films. The Institute also collects documents relatied to cinema and its history: photographs, film posters, periodicals and books, and collectors’ materials. This collection, known as the non-film collection, is made up of donations, deposits and acquisitions.

    From the outset, the Institute has made Monegasque entities aware of the heritage value of the audiovisual content they produce. To ensure the best possible preservation of these materials, whatever their format, the Institute collects and safeguards them, through digitizaion and thorough documentation.

    Under the labels “Monaco through films” and “Film Tuesdays”, the Institute promotes its collections and, more broadly, highlights the history and heritage of cinema, through a cycle of films of high artistic value. This program, with its diversity of approaches, pursues the project of showing “All the art of cinema” in Monaco. It benefits from the High Patronage of H.R.H. The Princess of Hanover.

    Since 2020, consultation of the digitized collections and the film library has been open to the public, subject to prior registration. It benefits from the expertise of the Institute’s documentalists, who prepare the desired research topics in advance. The Institute’s website offers an overview of the collections, based on a simplified search system.

    The Institute is an associate member of FIAF – International Film Archives Federation, a member of FCAFF – French Federation of Film Archives and Cinémathèques, and a member of the association Inédits – Amateur Films / Memory of Europe.

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    Plus d'information
  • Switzerland

    186 route de Saint-Julien
    CH - 1228 Plan-les-Ouates Genève
    +41 22 777 12 00

    > See the website

    Autrefois Genève Foundation

    The Fondation Autrefois Genève was created to preserve the local audiovisual heritage. Thanks to the program of the same name currently broadcasted on Léman Bleu, a swiss television channel based in Geneva, these images remain alive and benefit the generations of today.

    The concept of creating a foundation
    After 12 years and with the success of this program, the question arose of the sustainability of this precious heritage, rich in emotions, which is managed to date in an artisanal way. The impressive number of images requires a more professional review of its storage and sequencing. This unique audiovisual capital belongs to those who entrusted it to us to serve as a testimony of the past to future generations. This is the main reason that led us to consider creating the Foundation “Autrefois Genève”.

    The creation of the Foundation is part of a voluntary approach to preserving the audiovisual heritage belonging to the history of Geneva and its surroundings.
    Professionalized management of audiovisual data will allow information to be made available immediately for communication and event planning projects. It will thus help to bring to life and enhance Geneva’s heritage.

    The mission of the Fondation Autrefois Genève
    The mission of the Fondation Autrefois Genève is to highlight Geneva’s heritage. In order to do this, it acquires, retains, shares and makes available to the public and its partners all audiovisual and documentary media related to Geneva and its region.
    The Foundation is aimed at an audience sensitive to Geneva’s heritage who wishes to discover it, tell it and share it. It is also aimed at schools and academic circles for the provision of teaching materials. It is also a real information tool for the media, municipalities, businesses that want to know, take ownership and bring local heritage to life.

    Its commitments:
    • The acquisition, conservation, digitization, sequencing and enhancement of the audiovisual and documentary heritage.
    • Production of educational programs and capsules using archive images and sounds.
    • The provision of images on a digital platform and their use for animations or in the context of organizing events.
    • The creation of a community of financial and participatory support in Autrefois Genève.

    A Board of 3 members makes up the management of the Foundation and an administrative structure is in charge of coordinating all actions.

    Création de la structure en 2017

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation

    Contact : Laurent Seydoux - Director

    l.seydoux@autrefoisgeneve.ch

    Switzerland

    186 route de Saint-Julien
    CH - 1228 Plan-les-Ouates Genève
    +41 22 777 12 00

    > See the website

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    The concept of creating a foundation
    After 12 years and with the success of this program, the question arose of the sustainability of this precious heritage, rich in emotions, which is managed to date in an artisanal way. The impressive number of images requires a more professional review of its storage and sequencing. This unique audiovisual capital belongs to those who entrusted it to us to serve as a testimony of the past to future generations. This is the main reason that led us to consider creating the Foundation “Autrefois Genève”.

    The creation of the Foundation is part of a voluntary approach to preserving the audiovisual heritage belonging to the history of Geneva and its surroundings.
    Professionalized management of audiovisual data will allow information to be made available immediately for communication and event planning projects. It will thus help to bring to life and enhance Geneva’s heritage.

    The mission of the Fondation Autrefois Genève
    The mission of the Fondation Autrefois Genève is to highlight Geneva’s heritage. In order to do this, it acquires, retains, shares and makes available to the public and its partners all audiovisual and documentary media related to Geneva and its region.
    The Foundation is aimed at an audience sensitive to Geneva’s heritage who wishes to discover it, tell it and share it. It is also aimed at schools and academic circles for the provision of teaching materials. It is also a real information tool for the media, municipalities, businesses that want to know, take ownership and bring local heritage to life.

    Its commitments:
    • The acquisition, conservation, digitization, sequencing and enhancement of the audiovisual and documentary heritage.
    • Production of educational programs and capsules using archive images and sounds.
    • The provision of images on a digital platform and their use for animations or in the context of organizing events.
    • The creation of a community of financial and participatory support in Autrefois Genève.

    A Board of 3 members makes up the management of the Foundation and an administrative structure is in charge of coordinating all actions.

    [short_text] =>

    The Fondation Autrefois Genève was created to preserve the local audiovisual heritage. Thanks to the program of the same name currently broadcasted on Léman Bleu, a swiss television channel based in Geneva, these images remain alive and benefit the generations of today.

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    CH - 1228 Plan-les-Ouates Genève
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    186 route de Saint-Julien
    CH - 1228 Plan-les-Ouates Genève
    +41 22 777 12 00

    > See the website

    [links] => [short] =>

    The Fondation Autrefois Genève was created to preserve the local audiovisual heritage. Thanks to the program of the same name currently broadcasted on Léman Bleu, a swiss television channel based in Geneva, these images remain alive and benefit the generations of today.

    [activite] => Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    [contact] => Laurent Seydoux - Director [contact_email] => l.seydoux@autrefoisgeneve.ch [contact_image] =>
    [create_date] => 2017 [email] => l.seydoux@autrefoisgeneve.ch [text] =>

    The concept of creating a foundation
    After 12 years and with the success of this program, the question arose of the sustainability of this precious heritage, rich in emotions, which is managed to date in an artisanal way. The impressive number of images requires a more professional review of its storage and sequencing. This unique audiovisual capital belongs to those who entrusted it to us to serve as a testimony of the past to future generations. This is the main reason that led us to consider creating the Foundation “Autrefois Genève”.

    The creation of the Foundation is part of a voluntary approach to preserving the audiovisual heritage belonging to the history of Geneva and its surroundings.
    Professionalized management of audiovisual data will allow information to be made available immediately for communication and event planning projects. It will thus help to bring to life and enhance Geneva’s heritage.

    The mission of the Fondation Autrefois Genève
    The mission of the Fondation Autrefois Genève is to highlight Geneva’s heritage. In order to do this, it acquires, retains, shares and makes available to the public and its partners all audiovisual and documentary media related to Geneva and its region.
    The Foundation is aimed at an audience sensitive to Geneva’s heritage who wishes to discover it, tell it and share it. It is also aimed at schools and academic circles for the provision of teaching materials. It is also a real information tool for the media, municipalities, businesses that want to know, take ownership and bring local heritage to life.

    Its commitments:
    • The acquisition, conservation, digitization, sequencing and enhancement of the audiovisual and documentary heritage.
    • Production of educational programs and capsules using archive images and sounds.
    • The provision of images on a digital platform and their use for animations or in the context of organizing events.
    • The creation of a community of financial and participatory support in Autrefois Genève.

    A Board of 3 members makes up the management of the Foundation and an administrative structure is in charge of coordinating all actions.

    [readMore] => > Read more [css_class] => flt_country|Switzerland flt_Activities|collecte flt_Activities|conservation flt_Activities|documentation flt_Activities|numérisation flt_Activities|production flt_Activities|valorisation flt_type|structure flt_type|structure ) )
    Plus d'information
  • France

    24 rue Renan
    F-37110 Château Renault (Head Office)

    Le PIAF, rue Bât le Tan
    36100 Issoudun (Archive Department)

    > See the website

    CICLIC - Centre-Val-de-Loire

    Ciclic Centre-Val de Loire, the regional agency for books and audiovisual media, provides a cultural public service through the cooperation between the Centre-Val de Loire Region and the French State. The agency offers a wide range of services and actions, from administering funds to support the film, audiovisual and book industries, to consolidating the projects and careers of professionals and artists through training and residencies, as well as in-school and out-of-school audiovisual and literary education programs.

    Ciclic Centre-Val de Loire is chaired by Julie Gayet and managed by Philippe Germain.  It gives as many people as possible access to cinematographic and literary works throughout the region’s rural areas. The agency manages and coordinates a regional program for collecting, preserving and conserving a remarkable intangible audiovisual heritage. All these actions and services have demonstrated their coherence and relevance, making Ciclic Centre-Val de Loire a unique tool of its kind, backed by the long-term support and confidence of the public authorities on the Board of Directors, as well as the skills and professionalism of its teams based in Château-Renault, Vendôme, Issoudun and Saint-Jean-de-la-Ruelle.

    Financing creativity, a strong commitment

    The agency works alongside creators to bring their work to fruition, and encourages the presence of artists, authors and filmmakers in the region: writing residencies, an animation film studio, and financial support to get projects off the ground. Ciclic CentreVal de Loire is a recognized incubator for emerging talent. It contributes to the region’s attractiveness by helping creative, sustainable businesses to set up and develop. The agency also opens up international prospects for professionals thanks to the Val de Loire Cinema Workshop, which offers them expert networks and access to co-production.

    New ways of accessing culture

    Encounters between works of art, artists and audiences are at the heart of the agency’s missions, notably by bringing cinema to rural areas with the Cinémobile, or by proposing the discovery of contemporary literature (through lectures, residencies, the collaboration of associated authors). Working closely with cinema exhibitors, the agency helps to popularize more lesser-known forms of cinema (Mois du film documentaire, the Circuit court program). The agency is now strengthening its digital offering to reach out to all audiences and build customer loyalty.

    Developing tastes and sensitivities

    The agency’s artistic education initiatives enable young people to learn how to decipher the flow of information coming from all directions (cinema and literature, press, television, internet…). The agency also coordinates operations in partnership with educational and cultural actors, both during school hours (Lycéens et apprentis au cinéma, Lycéens, apprentis, livres et auteurs d’aujourd’hui) and outside school hours (Passeurs d’images, Des regards des images). It also offers a wide range of artistic workshops and digital educational programs (upopi.ciclic.fr).

    From family films to activist or testimonial films

    Ciclic Centre-Val de Loire collects, digitizes, indexes and promotes the region’s cinematographic and audiovisual heritage. The agency gives them their rightful place and anchors them firmly in the present, by making these heritage collections available to artists (filmmakers, visual artists, musicians) for contemporary creations. The agency also distributes them to the general public through local screenings and the free, collaborative Memoire.ciclic.fr website.

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • ressources_pédagogiques
    • materiel
    • réseaux
    • publication
    • recherche

    Contact : Rémi Pailhou - Head of the Heritage Department

    remi.pailhou@ciclic.fr

    France

    24 rue Renan
    F-37110 Château Renault (Head Office)

    Le PIAF, rue Bât le Tan
    36100 Issoudun (Archive Department)

    > See the website

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    Ciclic Centre-Val de Loire is chaired by Julie Gayet and managed by Philippe Germain.  It gives as many people as possible access to cinematographic and literary works throughout the region’s rural areas. The agency manages and coordinates a regional program for collecting, preserving and conserving a remarkable intangible audiovisual heritage. All these actions and services have demonstrated their coherence and relevance, making Ciclic Centre-Val de Loire a unique tool of its kind, backed by the long-term support and confidence of the public authorities on the Board of Directors, as well as the skills and professionalism of its teams based in Château-Renault, Vendôme, Issoudun and Saint-Jean-de-la-Ruelle.

    Financing creativity, a strong commitment

    The agency works alongside creators to bring their work to fruition, and encourages the presence of artists, authors and filmmakers in the region: writing residencies, an animation film studio, and financial support to get projects off the ground. Ciclic CentreVal de Loire is a recognized incubator for emerging talent. It contributes to the region’s attractiveness by helping creative, sustainable businesses to set up and develop. The agency also opens up international prospects for professionals thanks to the Val de Loire Cinema Workshop, which offers them expert networks and access to co-production.

    New ways of accessing culture

    Encounters between works of art, artists and audiences are at the heart of the agency’s missions, notably by bringing cinema to rural areas with the Cinémobile, or by proposing the discovery of contemporary literature (through lectures, residencies, the collaboration of associated authors). Working closely with cinema exhibitors, the agency helps to popularize more lesser-known forms of cinema (Mois du film documentaire, the Circuit court program). The agency is now strengthening its digital offering to reach out to all audiences and build customer loyalty.

    Developing tastes and sensitivities

    The agency’s artistic education initiatives enable young people to learn how to decipher the flow of information coming from all directions (cinema and literature, press, television, internet…). The agency also coordinates operations in partnership with educational and cultural actors, both during school hours (Lycéens et apprentis au cinéma, Lycéens, apprentis, livres et auteurs d’aujourd’hui) and outside school hours (Passeurs d’images, Des regards des images). It also offers a wide range of artistic workshops and digital educational programs (upopi.ciclic.fr).

    From family films to activist or testimonial films

    Ciclic Centre-Val de Loire collects, digitizes, indexes and promotes the region’s cinematographic and audiovisual heritage. The agency gives them their rightful place and anchors them firmly in the present, by making these heritage collections available to artists (filmmakers, visual artists, musicians) for contemporary creations. The agency also distributes them to the general public through local screenings and the free, collaborative Memoire.ciclic.fr website.

    [short_text] =>

    Ciclic Centre-Val de Loire, the regional agency for books and audiovisual media, provides a cultural public service through the cooperation between the Centre-Val de Loire Region and the French State. The agency offers a wide range of services and actions, from administering funds to support the film, audiovisual and book industries, to consolidating the projects and careers of professionals and artists through training and residencies, as well as in-school and out-of-school audiovisual and literary education programs.

    [pays] => Array ( [value] => FR [label] => France ) [adresse] => 24 rue Renan
    F-37110 Château Renault (Head Office)

    Le PIAF, rue Bât le Tan
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    24 rue Renan
    F-37110 Château Renault (Head Office)

    Le PIAF, rue Bât le Tan
    36100 Issoudun (Archive Department)

    > See the website

    [links] => [short] =>

    Ciclic Centre-Val de Loire, the regional agency for books and audiovisual media, provides a cultural public service through the cooperation between the Centre-Val de Loire Region and the French State. The agency offers a wide range of services and actions, from administering funds to support the film, audiovisual and book industries, to consolidating the projects and careers of professionals and artists through training and residencies, as well as in-school and out-of-school audiovisual and literary education programs.

    [activite] => Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • ressources_pédagogiques
    • materiel
    • réseaux
    • publication
    • recherche
    [contact] => Rémi Pailhou - Head of the Heritage Department [contact_email] => remi.pailhou@ciclic.fr [contact_image] =>
    [create_date] => [email] => remi.pailhou@ciclic.fr [text] =>

    Ciclic Centre-Val de Loire is chaired by Julie Gayet and managed by Philippe Germain.  It gives as many people as possible access to cinematographic and literary works throughout the region’s rural areas. The agency manages and coordinates a regional program for collecting, preserving and conserving a remarkable intangible audiovisual heritage. All these actions and services have demonstrated their coherence and relevance, making Ciclic Centre-Val de Loire a unique tool of its kind, backed by the long-term support and confidence of the public authorities on the Board of Directors, as well as the skills and professionalism of its teams based in Château-Renault, Vendôme, Issoudun and Saint-Jean-de-la-Ruelle.

    Financing creativity, a strong commitment

    The agency works alongside creators to bring their work to fruition, and encourages the presence of artists, authors and filmmakers in the region: writing residencies, an animation film studio, and financial support to get projects off the ground. Ciclic CentreVal de Loire is a recognized incubator for emerging talent. It contributes to the region’s attractiveness by helping creative, sustainable businesses to set up and develop. The agency also opens up international prospects for professionals thanks to the Val de Loire Cinema Workshop, which offers them expert networks and access to co-production.

    New ways of accessing culture

    Encounters between works of art, artists and audiences are at the heart of the agency’s missions, notably by bringing cinema to rural areas with the Cinémobile, or by proposing the discovery of contemporary literature (through lectures, residencies, the collaboration of associated authors). Working closely with cinema exhibitors, the agency helps to popularize more lesser-known forms of cinema (Mois du film documentaire, the Circuit court program). The agency is now strengthening its digital offering to reach out to all audiences and build customer loyalty.

    Developing tastes and sensitivities

    The agency’s artistic education initiatives enable young people to learn how to decipher the flow of information coming from all directions (cinema and literature, press, television, internet…). The agency also coordinates operations in partnership with educational and cultural actors, both during school hours (Lycéens et apprentis au cinéma, Lycéens, apprentis, livres et auteurs d’aujourd’hui) and outside school hours (Passeurs d’images, Des regards des images). It also offers a wide range of artistic workshops and digital educational programs (upopi.ciclic.fr).

    From family films to activist or testimonial films

    Ciclic Centre-Val de Loire collects, digitizes, indexes and promotes the region’s cinematographic and audiovisual heritage. The agency gives them their rightful place and anchors them firmly in the present, by making these heritage collections available to artists (filmmakers, visual artists, musicians) for contemporary creations. The agency also distributes them to the general public through local screenings and the free, collaborative Memoire.ciclic.fr website.

    [readMore] => > Read more [css_class] => flt_country|France flt_Activities|collecte flt_Activities|conservation flt_Activities|documentation flt_Activities|numérisation flt_Activities|production flt_Activities|valorisation flt_Activities|ressources_pédagogiques flt_Activities|materiel flt_Activities|réseaux flt_Activities|publication flt_Activities|recherche flt_type|structure flt_type|structure ) )
    Plus d'information
  • France

    2 place du Colonel Fabien
    F-75019 Paris
    +33 1 40 40 12 50

    > See the website

    Ciné-Archives

    Ciné-Archives is the film library of the French Communist Party and of the workers’ movement. Its catalog includes almost 1,500 titles shot since the 1920s: fiction and documentaries, made by amateurs, big-name filmmakers or collectives in opposition to the dominant audiovisual forms. These diverse documents tell a popular story of the twentieth century in France and around the world.

    Ciné-Archives is an association under the French law of 1901, founded in 1998 to safeguard and distribute the film and audiovisual heritage of the French Communist Party and the workers’ movement organizations. In addition to a collection of professional films shot on the initiative of the Communist Party, trade unions and company cells, or organizations such as Secours Populaire, MRAP and the French Women Union, Ciné-Archives has been collecting films shot by amateur filmmakers for over twenty years, on struggles carried out at factory, neighborhood or town level. Together, these films paint a portrait of working-class France over the last hundred years, while evoking world history and international solidarity: the Spanish war, the Vietnam war, demonstrations for the liberation of Angela Davis or Nelson Mandela, the struggle against apartheid, the wars of decolonization…

    Since 2015, Ciné-Archives has also managed the distribution of actor, producer and director Med Hondo’s films (1936-2019). His films, which tackle the history of colonization and slavery, as well as of the post-colonial links between France and Africa, are indictments of all forms of oppression suffered by exploited peoples. The physical elements are preserved by institutional partners (CNC Patrimoine and Archives départementales de la Seine-Saint-Denis). Ciné-Archives’ activities encompass indexation and cataloguing, the mechanical restoration and digitization of the photochemical film elements, the programming of screenings and cine-conferences, theatrical distribution, DVD publishing and image licensing for archive-based documentaries.

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • ressources_pédagogiques
    • réseaux
    • publication
    • recherche

    Contact : Marion Boulestreau - Manager

    contact@cinearchives.org

    France

    2 place du Colonel Fabien
    F-75019 Paris
    +33 1 40 40 12 50

    > See the website

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    Ciné-Archives is an association under the French law of 1901, founded in 1998 to safeguard and distribute the film and audiovisual heritage of the French Communist Party and the workers’ movement organizations. In addition to a collection of professional films shot on the initiative of the Communist Party, trade unions and company cells, or organizations such as Secours Populaire, MRAP and the French Women Union, Ciné-Archives has been collecting films shot by amateur filmmakers for over twenty years, on struggles carried out at factory, neighborhood or town level. Together, these films paint a portrait of working-class France over the last hundred years, while evoking world history and international solidarity: the Spanish war, the Vietnam war, demonstrations for the liberation of Angela Davis or Nelson Mandela, the struggle against apartheid, the wars of decolonization…

    Since 2015, Ciné-Archives has also managed the distribution of actor, producer and director Med Hondo’s films (1936-2019). His films, which tackle the history of colonization and slavery, as well as of the post-colonial links between France and Africa, are indictments of all forms of oppression suffered by exploited peoples. The physical elements are preserved by institutional partners (CNC Patrimoine and Archives départementales de la Seine-Saint-Denis). Ciné-Archives’ activities encompass indexation and cataloguing, the mechanical restoration and digitization of the photochemical film elements, the programming of screenings and cine-conferences, theatrical distribution, DVD publishing and image licensing for archive-based documentaries.

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    Ciné-Archives is the film library of the French Communist Party and of the workers’ movement. Its catalog includes almost 1,500 titles shot since the 1920s: fiction and documentaries, made by amateurs, big-name filmmakers or collectives in opposition to the dominant audiovisual forms. These diverse documents tell a popular story of the twentieth century in France and around the world.

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    2 place du Colonel Fabien
    F-75019 Paris
    +33 1 40 40 12 50

    > See the website

    [links] => [short] =>

    Ciné-Archives is the film library of the French Communist Party and of the workers’ movement. Its catalog includes almost 1,500 titles shot since the 1920s: fiction and documentaries, made by amateurs, big-name filmmakers or collectives in opposition to the dominant audiovisual forms. These diverse documents tell a popular story of the twentieth century in France and around the world.

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    • recherche
    [contact] => Marion Boulestreau - Manager [contact_email] => contact@cinearchives.org [contact_image] =>
    [create_date] => [email] => contact@cinearchives.org [text] =>

    Ciné-Archives is an association under the French law of 1901, founded in 1998 to safeguard and distribute the film and audiovisual heritage of the French Communist Party and the workers’ movement organizations. In addition to a collection of professional films shot on the initiative of the Communist Party, trade unions and company cells, or organizations such as Secours Populaire, MRAP and the French Women Union, Ciné-Archives has been collecting films shot by amateur filmmakers for over twenty years, on struggles carried out at factory, neighborhood or town level. Together, these films paint a portrait of working-class France over the last hundred years, while evoking world history and international solidarity: the Spanish war, the Vietnam war, demonstrations for the liberation of Angela Davis or Nelson Mandela, the struggle against apartheid, the wars of decolonization…

    Since 2015, Ciné-Archives has also managed the distribution of actor, producer and director Med Hondo’s films (1936-2019). His films, which tackle the history of colonization and slavery, as well as of the post-colonial links between France and Africa, are indictments of all forms of oppression suffered by exploited peoples. The physical elements are preserved by institutional partners (CNC Patrimoine and Archives départementales de la Seine-Saint-Denis). Ciné-Archives’ activities encompass indexation and cataloguing, the mechanical restoration and digitization of the photochemical film elements, the programming of screenings and cine-conferences, theatrical distribution, DVD publishing and image licensing for archive-based documentaries.

    [readMore] => > Read more [css_class] => flt_country|France flt_Activities|collecte flt_Activities|conservation flt_Activities|documentation flt_Activities|numérisation flt_Activities|production flt_Activities|valorisation flt_Activities|ressources_pédagogiques flt_Activities|réseaux flt_Activities|publication flt_Activities|recherche flt_type|structure flt_type|structure ) )
    Plus d'information
  • France

    41A rue Alexandre Soljenitsyne
    F-91000 Evry
    +33 9 52 79 99 22

    > See the website

    CINÉAM

    The association CINÉAM collects and promotes amateur films in the French department of Essonne and in the Paris suburbs. Its archival collections contributes to the knowledge of the history of these places in a region, Paris and its surrounding area, undergoing continuous major changes.

    Movies of the 30s about the open-air dance halls of the forest of Sénart, harvests and village feasts in the 40s, detached houses in in the suburbs, trade fairs of the 60s, brand new housing estates, building site of the new town of Evry… Through the poetry of family movies, these images illustrate in a unique way landscape and architectural changes, the history of social housing, the evolution of life in rural areas in the Southen-Essonne….

    CINEAM is mainly supported by the French department of Essonne. The original elements are preserved in appropriate facilities provided by the institution.

    Création de la structure en 1999

    Activités :
    • collecte
    • documentation
    • numérisation
    • production
    • valorisation

    Contact : Laurence Bazin - Managing Director

    laurencecineam@free.fr

    France

    41A rue Alexandre Soljenitsyne
    F-91000 Evry
    +33 9 52 79 99 22

    > See the website

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    F-91000 Evry
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    > See the website

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    [create_date] => 1999 [email] => laurencecineam@free.fr [text] =>

    Movies of the 30s about the open-air dance halls of the forest of Sénart, harvests and village feasts in the 40s, detached houses in in the suburbs, trade fairs of the 60s, brand new housing estates, building site of the new town of Evry… Through the poetry of family movies, these images illustrate in a unique way landscape and architectural changes, the history of social housing, the evolution of life in rural areas in the Southen-Essonne….

    CINEAM is mainly supported by the French department of Essonne. The original elements are preserved in appropriate facilities provided by the institution.

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    Plus d'information
  • Portugal

    Rua Barata Salgueiro, 39,
    1269-059 Lisboa

    > See the website

    Cinemateca Portuguesa - Museu do Cinema

    The Cinemateca Portuguesa-Museu do Cinema is the national organization, under the supervision of the Minister of Culture, whose mission is to safeguard and disseminate film heritage. It was founded in the early 1950s by one of the pioneers of European cinematheques, Manuel Félix Ribeiro, and became an autonomous institution in 1980.

    The Cinemateca Portuguesa-Museu do Cinema is the national organization, under the supervision of the Minister of Culture, whose mission is to safeguard and disseminate film heritage. It was founded in the early 1950s by one of the pioneers of European cinematheques, Manuel Félix Ribeiro, and became an autonomous institution in 1980. Since 1956, the Cinemateca has been a member of the International Federation of Film Archives (FIAF), created in 1938 with the aim of promoting the conservation and knowledge of film heritage, combining the efforts of the world’s most important archives, and which currently has more than 150 affiliates from 77 countries. Also in 1956, the Cinemateca’s first dedicated screening room was inaugurated. In 1996, the Cinemateca opened a modern conservation center on the outskirts of Lisbon, which is now the base for all preservation, technical research and access activities, including the use of new technologies.

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • valorisation
    • restauration
    • ressources_pédagogiques
    • materiel
    • réseaux
    • publication
    • recherche

    Contact : Inês Viana - Film Collections and Acquisitions

    ines.viana@cinemateca.pt

    Portugal

    Rua Barata Salgueiro, 39,
    1269-059 Lisboa

    > See the website

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    The Cinemateca Portuguesa-Museu do Cinema is the national organization, under the supervision of the Minister of Culture, whose mission is to safeguard and disseminate film heritage. It was founded in the early 1950s by one of the pioneers of European cinematheques, Manuel Félix Ribeiro, and became an autonomous institution in 1980. Since 1956, the Cinemateca has been a member of the International Federation of Film Archives (FIAF), created in 1938 with the aim of promoting the conservation and knowledge of film heritage, combining the efforts of the world’s most important archives, and which currently has more than 150 affiliates from 77 countries. Also in 1956, the Cinemateca’s first dedicated screening room was inaugurated. In 1996, the Cinemateca opened a modern conservation center on the outskirts of Lisbon, which is now the base for all preservation, technical research and access activities, including the use of new technologies.

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    The Cinemateca Portuguesa-Museu do Cinema is the national organization, under the supervision of the Minister of Culture, whose mission is to safeguard and disseminate film heritage. It was founded in the early 1950s by one of the pioneers of European cinematheques, Manuel Félix Ribeiro, and became an autonomous institution in 1980. Since 1956, the Cinemateca has been a member of the International Federation of Film Archives (FIAF), created in 1938 with the aim of promoting the conservation and knowledge of film heritage, combining the efforts of the world’s most important archives, and which currently has more than 150 affiliates from 77 countries. Also in 1956, the Cinemateca’s first dedicated screening room was inaugurated. In 1996, the Cinemateca opened a modern conservation center on the outskirts of Lisbon, which is now the base for all preservation, technical research and access activities, including the use of new technologies.

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    Plus d'information
  • France

    2, avenue Clemenceau
    29200 Brest

    > See the website

    Cinémathèque de Bretagne

    The originality of the Cinémathèque de Bretagne, founded by André Colleu in 1984, lies in its interest in amateur images. Its mission is to collect, preserve and distribute images shot in Brittany or by Bretons. A pioneer in the collection of amateur images, this original and specific approach has raised awareness among the general public, audiovisual professionals and elected politicians alike of the value of amateur images as an archive for collective memory.

    Thirty years after its creation, the Cinémathèque de Bretagne holds one of the biggest regional audiovisual collections in France. Its practices have evolved, and it has adapted to the new techniques used to preserve and promote amateur films.

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • valorisation
    • restauration
    • materiel
    • réseaux
    • recherche

    Contact : Gaid Pitrou - Director

    gaid.pitrou@cinematheque-bretagne.bzh

    France

    2, avenue Clemenceau
    29200 Brest

    > See the website

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    29200 Brest [activites] => Array ( [0] => collecte [1] => conservation [2] => documentation [3] => numérisation [4] => valorisation [5] => restauration [6] => materiel [7] => réseaux [8] => recherche ) [structure] => structure [contact_name] => Gaid Pitrou - Director [contact_email] => gaid.pitrou@cinematheque-bretagne.bzh [contact_logo] => Array ( [ID] => 516 [id] => 516 [title] => Cinematheque-de-Bretagne [filename] => Cinematheque-de-Bretagne.png [filesize] => 88132 [url] => https://inedits.eu/wp-content/uploads/2024/05/Cinematheque-de-Bretagne.png [link] => https://inedits.eu/en/inedits_content/cinematheque-de-bretagne-2/cinematheque-de-bretagne-2/ [alt] => Cinémathèque de Bretagne [author] => 1 [description] => [caption] => [name] => cinematheque-de-bretagne-2 [status] => inherit [uploaded_to] => 22712 [date] => 2024-05-27 09:51:52 [modified] => 2025-02-17 14:24:23 [menu_order] => 0 [mime_type] => image/png [type] => image [subtype] => png [icon] => https://inedits.eu/wp-includes/images/media/default.png [width] => 2478 [height] => 1728 [sizes] => Array ( [thumbnail] => https://inedits.eu/wp-content/uploads/2024/05/Cinematheque-de-Bretagne-150x150.png [thumbnail-width] => 150 [thumbnail-height] => 150 [medium] => https://inedits.eu/wp-content/uploads/2024/05/Cinematheque-de-Bretagne-250x174.png [medium-width] => 250 [medium-height] => 174 [medium_large] => https://inedits.eu/wp-content/uploads/2024/05/Cinematheque-de-Bretagne-768x536.png [medium_large-width] => 768 [medium_large-height] => 536 [large] => https://inedits.eu/wp-content/uploads/2024/05/Cinematheque-de-Bretagne-700x488.png [large-width] => 700 [large-height] => 488 [1536x1536] => https://inedits.eu/wp-content/uploads/2024/05/Cinematheque-de-Bretagne-1536x1071.png [1536x1536-width] => 1536 [1536x1536-height] => 1071 [2048x2048] => https://inedits.eu/wp-content/uploads/2024/05/Cinematheque-de-Bretagne-2048x1428.png [2048x2048-width] => 2048 [2048x2048-height] => 1428 [small] => https://inedits.eu/wp-content/uploads/2024/05/Cinematheque-de-Bretagne-120x84.png [small-width] => 120 [small-height] => 84 [custom-size] => https://inedits.eu/wp-content/uploads/2024/05/Cinematheque-de-Bretagne-700x200.png [custom-size-width] => 700 [custom-size-height] => 200 ) ) [short_text] =>

    The originality of the Cinémathèque de Bretagne, founded by André Colleu in 1984, lies in its interest in amateur images. Its mission is to collect, preserve and distribute images shot in Brittany or by Bretons. A pioneer in the collection of amateur images, this original and specific approach has raised awareness among the general public, audiovisual professionals and elected politicians alike of the value of amateur images as an archive for collective memory.

    [text] =>

    Thirty years after its creation, the Cinémathèque de Bretagne holds one of the biggest regional audiovisual collections in France. Its practices have evolved, and it has adapted to the new techniques used to preserve and promote amateur films.

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    2, avenue Clemenceau
    29200 Brest

    > See the website

    [links] => [short] =>

    The originality of the Cinémathèque de Bretagne, founded by André Colleu in 1984, lies in its interest in amateur images. Its mission is to collect, preserve and distribute images shot in Brittany or by Bretons. A pioneer in the collection of amateur images, this original and specific approach has raised awareness among the general public, audiovisual professionals and elected politicians alike of the value of amateur images as an archive for collective memory.

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    • collecte
    • conservation
    • documentation
    • numérisation
    • valorisation
    • restauration
    • materiel
    • réseaux
    • recherche
    [contact] => Gaid Pitrou - Director [contact_email] => gaid.pitrou@cinematheque-bretagne.bzh [contact_image] =>
    [create_date] => [email] => gaid.pitrou@cinematheque-bretagne.bzh [text] =>

    Thirty years after its creation, the Cinémathèque de Bretagne holds one of the biggest regional audiovisual collections in France. Its practices have evolved, and it has adapted to the new techniques used to preserve and promote amateur films.

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    Plus d'information
  • France

    Espace Jean-Paul de Rocca Serra
    F-20137 Porto-Vecchio
    +33 4 20 20 20 01/02

    > See the website

    Cinémathèque de Corse

    The Corsican Cinematheque, under the authority of the region of Corsica, collects, preserves and promotes films of the past, but also contributes to create memories and testimonies for the future thanks to the legal regional deposit of all audiovisual works produced nowadays in Corsica.

    Films, posters, press-books, photographs, drawings, screenplays, books and more are gathered to constitute this saved film heritage. Films with Corsica as their subject, films made in Corsica and/or by Corsican people, the beginnings of cinema, the exploitation and distribution of films on the island… But the collections also look towards the Mediterranean region and more particularly towards Italy. And towards other islands and other seas… the traces of Napoleon and of Colomba leading to the Americas…
    The amateur film constitutes a special case. The Corsican Cinematheque treats it as a regional heritage that ,ust be handed down to future generations. These films have been entrusted to the institution by their author or their family and these intimate images thus gained a collective dimension and became the witnesses of a period, a story and a region.

    The Cinematheque has also an important activity in its movie theater named “Abel Gance” in Porto-Vecchio and throughout the island where it has developed many partnerships with cultural institutions. It also presents a selection of representative movies in the towns and villages of the island with the “Cinémathèque Itinerante”program.
    It also assumes an important pedagogical mission, insofar as it supports the Film Education programs in schools, it accompanies one of the high schools participating in the program ‘Cinéma, cent ans de jeunesse’ developed by the Cinémathèque Française, it monitors the third parties entrusted with the pedagogical projects ‘Ecole et Cinéma’, ‘Collège au Cinéma’ and ‘LAAC’.

    Création de la structure en 2000

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation

    Contact : Nathalie Rossi - Head of the Film-Audiovisual Media Department

    Nathalie.Rossi@ct-corse.fr

    France

    Espace Jean-Paul de Rocca Serra
    F-20137 Porto-Vecchio
    +33 4 20 20 20 01/02

    > See the website

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    Films, posters, press-books, photographs, drawings, screenplays, books and more are gathered to constitute this saved film heritage. Films with Corsica as their subject, films made in Corsica and/or by Corsican people, the beginnings of cinema, the exploitation and distribution of films on the island… But the collections also look towards the Mediterranean region and more particularly towards Italy. And towards other islands and other seas… the traces of Napoleon and of Colomba leading to the Americas…
    The amateur film constitutes a special case. The Corsican Cinematheque treats it as a regional heritage that ,ust be handed down to future generations. These films have been entrusted to the institution by their author or their family and these intimate images thus gained a collective dimension and became the witnesses of a period, a story and a region.

    The Cinematheque has also an important activity in its movie theater named “Abel Gance” in Porto-Vecchio and throughout the island where it has developed many partnerships with cultural institutions. It also presents a selection of representative movies in the towns and villages of the island with the “Cinémathèque Itinerante”program.
    It also assumes an important pedagogical mission, insofar as it supports the Film Education programs in schools, it accompanies one of the high schools participating in the program ‘Cinéma, cent ans de jeunesse’ developed by the Cinémathèque Française, it monitors the third parties entrusted with the pedagogical projects ‘Ecole et Cinéma’, ‘Collège au Cinéma’ and ‘LAAC’.

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    The Corsican Cinematheque, under the authority of the region of Corsica, collects, preserves and promotes films of the past, but also contributes to create memories and testimonies for the future thanks to the legal regional deposit of all audiovisual works produced nowadays in Corsica.

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    +33 4 20 20 20 01/02

    > See the website

    [links] => [short] =>

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    • documentation
    • numérisation
    • production
    • valorisation
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    [create_date] => 2000 [email] => Nathalie.Rossi@ct-corse.fr [text] =>

    Films, posters, press-books, photographs, drawings, screenplays, books and more are gathered to constitute this saved film heritage. Films with Corsica as their subject, films made in Corsica and/or by Corsican people, the beginnings of cinema, the exploitation and distribution of films on the island… But the collections also look towards the Mediterranean region and more particularly towards Italy. And towards other islands and other seas… the traces of Napoleon and of Colomba leading to the Americas…
    The amateur film constitutes a special case. The Corsican Cinematheque treats it as a regional heritage that ,ust be handed down to future generations. These films have been entrusted to the institution by their author or their family and these intimate images thus gained a collective dimension and became the witnesses of a period, a story and a region.

    The Cinematheque has also an important activity in its movie theater named “Abel Gance” in Porto-Vecchio and throughout the island where it has developed many partnerships with cultural institutions. It also presents a selection of representative movies in the towns and villages of the island with the “Cinémathèque Itinerante”program.
    It also assumes an important pedagogical mission, insofar as it supports the Film Education programs in schools, it accompanies one of the high schools participating in the program ‘Cinéma, cent ans de jeunesse’ developed by the Cinémathèque Française, it monitors the third parties entrusted with the pedagogical projects ‘Ecole et Cinéma’, ‘Collège au Cinéma’ and ‘LAAC’.

    [readMore] => > Read more [css_class] => flt_country|France flt_Activities|collecte flt_Activities|conservation flt_Activities|documentation flt_Activities|numérisation flt_Activities|production flt_Activities|valorisation flt_type|structure flt_type|structure ) )
    Plus d'information
  • France

    4 avenue de la Révolution
    F-87000 Limoges
    +33 6 69 10 92 42

    > See the website

    Cinémathèque de Nouvelle-Aquitaine

    The Cinémathèque de Nouvelle-Aquitaine’s mission is to collect, digitize, preserve and promote the region’s cinematographic heritage. More specifically, it is committed to building up the cinematographic memory of the Nouvelle Aquitaine region, whether amateur or professional, and making it accessible to all, notably through the Mémoire Filmique de Nouvelle-Aquitaine website.

    Networking the players involved in collecting audiovisual memory is unprecedented in the region to date. The CdNA’s initiative goes hand in hand with the promotion of the 7th art in all its shapes and the focus on various audiences, whose memories contitute our history.

    The CDNA is behind PILL, a web application created in Limoges by the Cinémathèque de Nouvelle-Aquitaine and Cerebellis. This collegial, scalable tool has all the functions needed to manage a film library. It enables the simple, fast and ergonomic indexing and consultation of audiovisual collections.

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • restauration
    • materiel
    • réseaux

    Contact : Patrick Malefond - Director

    patrick.malefond@cinemathequenouvelleaquitaine.fr

    France

    4 avenue de la Révolution
    F-87000 Limoges
    +33 6 69 10 92 42

    > See the website

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                [site_web] => https://cdna.memoirefilmiquenouvelleaquitaine.fr/presentation
                [text] => 

    Networking the players involved in collecting audiovisual memory is unprecedented in the region to date. The CdNA’s initiative goes hand in hand with the promotion of the 7th art in all its shapes and the focus on various audiences, whose memories contitute our history.

    The CDNA is behind PILL, a web application created in Limoges by the Cinémathèque de Nouvelle-Aquitaine and Cerebellis. This collegial, scalable tool has all the functions needed to manage a film library. It enables the simple, fast and ergonomic indexing and consultation of audiovisual collections.

    [short_text] =>

    The Cinémathèque de Nouvelle-Aquitaine’s mission is to collect, digitize, preserve and promote the region’s cinematographic heritage. More specifically, it is committed to building up the cinematographic memory of the Nouvelle Aquitaine region, whether amateur or professional, and making it accessible to all, notably through the Mémoire Filmique de Nouvelle-Aquitaine website.

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    4 avenue de la Révolution
    F-87000 Limoges
    +33 6 69 10 92 42

    > See the website

    [links] => [short] =>

    The Cinémathèque de Nouvelle-Aquitaine’s mission is to collect, digitize, preserve and promote the region’s cinematographic heritage. More specifically, it is committed to building up the cinematographic memory of the Nouvelle Aquitaine region, whether amateur or professional, and making it accessible to all, notably through the Mémoire Filmique de Nouvelle-Aquitaine website.

    [activite] => Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • restauration
    • materiel
    • réseaux
    [contact] => Patrick Malefond - Director [contact_email] => patrick.malefond@cinemathequenouvelleaquitaine.fr [contact_image] =>
    [create_date] => [email] => patrick.malefond@cinemathequenouvelleaquitaine.fr [text] =>

    Networking the players involved in collecting audiovisual memory is unprecedented in the region to date. The CdNA’s initiative goes hand in hand with the promotion of the 7th art in all its shapes and the focus on various audiences, whose memories contitute our history.

    The CDNA is behind PILL, a web application created in Limoges by the Cinémathèque de Nouvelle-Aquitaine and Cerebellis. This collegial, scalable tool has all the functions needed to manage a film library. It enables the simple, fast and ergonomic indexing and consultation of audiovisual collections.

    [readMore] => > Read more [css_class] => flt_country|France flt_Activities|collecte flt_Activities|conservation flt_Activities|documentation flt_Activities|numérisation flt_Activities|production flt_Activities|valorisation flt_Activities|restauration flt_Activities|materiel flt_Activities|réseaux flt_type|structure flt_type|structure ) )
    Plus d'information
  • France

    12 bis Route d'Annecy
    F-74290 Veyrier-du-Lac
    +33 4 50 23 51 09

    > See the website

    Cinemathèque des Pays de Savoie et de l'Ain

    Since 1999, La Cinémathèque des Pays de Savoie et de l’Ain has been collecting, preserving and promoting the audiovisual and cinematographic heritage of the Auvergne-Rhône-Alpes region. To date, over 10,000 reels of film and video material, including amateur, family and corporate films, have been saved. These films feed dynamic cultural initiatives in the region and beyond, through exhibitions, image education workshops, public screenings and film productions, and are accessible to a wide audience, thanks to the Cinémathèque’s online catalog.

     The Cinémathèque des Pays de Savoie et de l’Ain’s mission is to preserve the audiovisual memory of the Auvergne-Rhône-Alpes region, and more specifically of the departments of Ain, Haute-Savoie and Savoie. To date, it holds more than 10,000 reels of film and video material and 700 pieces of cinematographic equipment. This living collective memory, accessible to all, is the fruit of the collection, preservation and promotion of previously unknown films and materials linked to the Savoie, Haute-Savoie and Ain regions. The Cinémathèque des Pays de Savoie et de l’Ain aims to preserve films and materials relating to local amateur cinema that are entrusted to it as deposits, donations or that it has acquired. The Cinémathèque des Pays de Savoie et de l’Ain’s mission is to make the films, books, journals and materials it conserves accessible to the public, while respecting the authors’ rights, by means of cultural actions, and by making them available and distributing them online. The Cinémathèque des Pays de Savoie et de l’Ain digitizes the audiovisual archives it collects in-house, thanks to its know-how and technical equipment. It owns the FilmFabriek HDS+ scanner, specialized in the digitization of small-gauge film (16mm, 8mm, 9.5mm, Super 8), as well as a number of video recorders connected to a Blackmagic standards converter for the digitization of analog media (VHS, Umatic, Betacam, Betanum, Vidéo 8, mini DV…). It also uses Revox magnetic tape recorders for the digitizing of 6,25mm tapes.

    The Cinémathèque des Pays de Savoie et de l’Ain has set up a complete archiving system, guaranteeing hot and cold archiving and data redundancy. Original media are stored at the Regional Archives of Ain, Savoie and Haute-Savoie, under suitable temperature and humidity conditions. Digital masters are stored on a server in raid 5 system, as well as on in-house LTO tapes and on LTO tapes located at the CNMN (Centre National du Micofilm et de la Numérisation) in Saint-Gilles. Broadcast files are also stored on the server and in the cloud. The Cinémathèque des Pays de Savoie et de l’Ain uses the Diaz database, specifically designed to handle amateur film collections. Users are members of the Diazinteregio association, and meet several times a year to develop the GUI, update the thesaurus, discuss their professional practices, and initiate joint projects such as the Amorce.eu online platform. The Cinémathèque des Pays de Savoie et de l’Ain makes its collections available for projects initiated by production companies, filmmakers, museums and artists.

    The Cinémathèque des Pays de Savoie et de l’Ain develops activities to disseminate, promote and mediate films for all audiences, including schoolchildren (Chemin de la culture), the general public (screenings and events in EHPADs), tourists (festival circuits, open-air screening) and private entrepreneurs (screenings for associations, in privately-owned theaters etc.).

    The Cinémathèque des Pays de Savoie et de l’Ain co-produces audiovisual works using fragments from its collection (Cette lumière n’est pas celle du soleil, 2014, Bernard Favre; Le France, la fascinante et mystérieuse histoire du dernier vapeur, 2018, Stéphane Santini; Il était une fois le ski, 2025, Gilles Chappaz- partnership). The Cinémathèque des Pays de Savoie et de l’Ain programs screenings, conferences, debates and events in the Téléphérique cinema and/or in partnership with cinemas or any other organization that contributes to public debate and critical thinking. The Cinémathèque des Pays de Savoie et de l’Ain encourages all studies, research and publications relating to its collections. Within this framework, it welcomes and works with researchers and academics. The Cinémathèque des Pays de Savoie et de l’Ain uses all the possibilities offered by the web and social networks to disseminate its content and promote its activities. The Cinémathèque des Pays de Savoie et de l’Ain aims to build relationships and encourage joint actions with public or private organizations in charge of similar missions in France or abroad. It is an associate member of FIAF (Fédération Internationale des Archives du Film), a member of Inédits Mémoire d’Europe, Diazinteregio and FCAFF (édération des Cinémathèques et Archives de Film Françaises).

    Création de la structure en 1999

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • materiel
    • réseaux
    • publication

    Contact : Jacques Depeyre- Co-president

    contact@letelepherique.org

    France

    12 bis Route d'Annecy
    F-74290 Veyrier-du-Lac
    +33 4 50 23 51 09

    > See the website

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     The Cinémathèque des Pays de Savoie et de l’Ain’s mission is to preserve the audiovisual memory of the Auvergne-Rhône-Alpes region, and more specifically of the departments of Ain, Haute-Savoie and Savoie. To date, it holds more than 10,000 reels of film and video material and 700 pieces of cinematographic equipment. This living collective memory, accessible to all, is the fruit of the collection, preservation and promotion of previously unknown films and materials linked to the Savoie, Haute-Savoie and Ain regions. The Cinémathèque des Pays de Savoie et de l’Ain aims to preserve films and materials relating to local amateur cinema that are entrusted to it as deposits, donations or that it has acquired. The Cinémathèque des Pays de Savoie et de l’Ain’s mission is to make the films, books, journals and materials it conserves accessible to the public, while respecting the authors’ rights, by means of cultural actions, and by making them available and distributing them online. The Cinémathèque des Pays de Savoie et de l’Ain digitizes the audiovisual archives it collects in-house, thanks to its know-how and technical equipment. It owns the FilmFabriek HDS+ scanner, specialized in the digitization of small-gauge film (16mm, 8mm, 9.5mm, Super 8), as well as a number of video recorders connected to a Blackmagic standards converter for the digitization of analog media (VHS, Umatic, Betacam, Betanum, Vidéo 8, mini DV…). It also uses Revox magnetic tape recorders for the digitizing of 6,25mm tapes.

    The Cinémathèque des Pays de Savoie et de l’Ain has set up a complete archiving system, guaranteeing hot and cold archiving and data redundancy. Original media are stored at the Regional Archives of Ain, Savoie and Haute-Savoie, under suitable temperature and humidity conditions. Digital masters are stored on a server in raid 5 system, as well as on in-house LTO tapes and on LTO tapes located at the CNMN (Centre National du Micofilm et de la Numérisation) in Saint-Gilles. Broadcast files are also stored on the server and in the cloud. The Cinémathèque des Pays de Savoie et de l’Ain uses the Diaz database, specifically designed to handle amateur film collections. Users are members of the Diazinteregio association, and meet several times a year to develop the GUI, update the thesaurus, discuss their professional practices, and initiate joint projects such as the Amorce.eu online platform. The Cinémathèque des Pays de Savoie et de l’Ain makes its collections available for projects initiated by production companies, filmmakers, museums and artists.

    The Cinémathèque des Pays de Savoie et de l’Ain develops activities to disseminate, promote and mediate films for all audiences, including schoolchildren (Chemin de la culture), the general public (screenings and events in EHPADs), tourists (festival circuits, open-air screening) and private entrepreneurs (screenings for associations, in privately-owned theaters etc.).

    The Cinémathèque des Pays de Savoie et de l’Ain co-produces audiovisual works using fragments from its collection (Cette lumière n’est pas celle du soleil, 2014, Bernard Favre; Le France, la fascinante et mystérieuse histoire du dernier vapeur, 2018, Stéphane Santini; Il était une fois le ski, 2025, Gilles Chappaz- partnership). The Cinémathèque des Pays de Savoie et de l’Ain programs screenings, conferences, debates and events in the Téléphérique cinema and/or in partnership with cinemas or any other organization that contributes to public debate and critical thinking. The Cinémathèque des Pays de Savoie et de l’Ain encourages all studies, research and publications relating to its collections. Within this framework, it welcomes and works with researchers and academics. The Cinémathèque des Pays de Savoie et de l’Ain uses all the possibilities offered by the web and social networks to disseminate its content and promote its activities. The Cinémathèque des Pays de Savoie et de l’Ain aims to build relationships and encourage joint actions with public or private organizations in charge of similar missions in France or abroad. It is an associate member of FIAF (Fédération Internationale des Archives du Film), a member of Inédits Mémoire d’Europe, Diazinteregio and FCAFF (édération des Cinémathèques et Archives de Film Françaises).

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    Since 1999, La Cinémathèque des Pays de Savoie et de l’Ain has been collecting, preserving and promoting the audiovisual and cinematographic heritage of the Auvergne-Rhône-Alpes region. To date, over 10,000 reels of film and video material, including amateur, family and corporate films, have been saved. These films feed dynamic cultural initiatives in the region and beyond, through exhibitions, image education workshops, public screenings and film productions, and are accessible to a wide audience, thanks to the Cinémathèque’s online catalog.

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    12 bis Route d'Annecy
    F-74290 Veyrier-du-Lac
    +33 4 50 23 51 09

    > See the website

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    Since 1999, La Cinémathèque des Pays de Savoie et de l’Ain has been collecting, preserving and promoting the audiovisual and cinematographic heritage of the Auvergne-Rhône-Alpes region. To date, over 10,000 reels of film and video material, including amateur, family and corporate films, have been saved. These films feed dynamic cultural initiatives in the region and beyond, through exhibitions, image education workshops, public screenings and film productions, and are accessible to a wide audience, thanks to the Cinémathèque’s online catalog.

    [activite] => Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • materiel
    • réseaux
    • publication
    [contact] => Jacques Depeyre- Co-president [contact_email] => contact@letelepherique.org [contact_image] =>
    [create_date] => 1999 [email] => contact@letelepherique.org [text] =>

     The Cinémathèque des Pays de Savoie et de l’Ain’s mission is to preserve the audiovisual memory of the Auvergne-Rhône-Alpes region, and more specifically of the departments of Ain, Haute-Savoie and Savoie. To date, it holds more than 10,000 reels of film and video material and 700 pieces of cinematographic equipment. This living collective memory, accessible to all, is the fruit of the collection, preservation and promotion of previously unknown films and materials linked to the Savoie, Haute-Savoie and Ain regions. The Cinémathèque des Pays de Savoie et de l’Ain aims to preserve films and materials relating to local amateur cinema that are entrusted to it as deposits, donations or that it has acquired. The Cinémathèque des Pays de Savoie et de l’Ain’s mission is to make the films, books, journals and materials it conserves accessible to the public, while respecting the authors’ rights, by means of cultural actions, and by making them available and distributing them online. The Cinémathèque des Pays de Savoie et de l’Ain digitizes the audiovisual archives it collects in-house, thanks to its know-how and technical equipment. It owns the FilmFabriek HDS+ scanner, specialized in the digitization of small-gauge film (16mm, 8mm, 9.5mm, Super 8), as well as a number of video recorders connected to a Blackmagic standards converter for the digitization of analog media (VHS, Umatic, Betacam, Betanum, Vidéo 8, mini DV…). It also uses Revox magnetic tape recorders for the digitizing of 6,25mm tapes.

    The Cinémathèque des Pays de Savoie et de l’Ain has set up a complete archiving system, guaranteeing hot and cold archiving and data redundancy. Original media are stored at the Regional Archives of Ain, Savoie and Haute-Savoie, under suitable temperature and humidity conditions. Digital masters are stored on a server in raid 5 system, as well as on in-house LTO tapes and on LTO tapes located at the CNMN (Centre National du Micofilm et de la Numérisation) in Saint-Gilles. Broadcast files are also stored on the server and in the cloud. The Cinémathèque des Pays de Savoie et de l’Ain uses the Diaz database, specifically designed to handle amateur film collections. Users are members of the Diazinteregio association, and meet several times a year to develop the GUI, update the thesaurus, discuss their professional practices, and initiate joint projects such as the Amorce.eu online platform. The Cinémathèque des Pays de Savoie et de l’Ain makes its collections available for projects initiated by production companies, filmmakers, museums and artists.

    The Cinémathèque des Pays de Savoie et de l’Ain develops activities to disseminate, promote and mediate films for all audiences, including schoolchildren (Chemin de la culture), the general public (screenings and events in EHPADs), tourists (festival circuits, open-air screening) and private entrepreneurs (screenings for associations, in privately-owned theaters etc.).

    The Cinémathèque des Pays de Savoie et de l’Ain co-produces audiovisual works using fragments from its collection (Cette lumière n’est pas celle du soleil, 2014, Bernard Favre; Le France, la fascinante et mystérieuse histoire du dernier vapeur, 2018, Stéphane Santini; Il était une fois le ski, 2025, Gilles Chappaz- partnership). The Cinémathèque des Pays de Savoie et de l’Ain programs screenings, conferences, debates and events in the Téléphérique cinema and/or in partnership with cinemas or any other organization that contributes to public debate and critical thinking. The Cinémathèque des Pays de Savoie et de l’Ain encourages all studies, research and publications relating to its collections. Within this framework, it welcomes and works with researchers and academics. The Cinémathèque des Pays de Savoie et de l’Ain uses all the possibilities offered by the web and social networks to disseminate its content and promote its activities. The Cinémathèque des Pays de Savoie et de l’Ain aims to build relationships and encourage joint actions with public or private organizations in charge of similar missions in France or abroad. It is an associate member of FIAF (Fédération Internationale des Archives du Film), a member of Inédits Mémoire d’Europe, Diazinteregio and FCAFF (édération des Cinémathèques et Archives de Film Françaises).

    [readMore] => > Read more [css_class] => flt_country|France flt_Activities|collecte flt_Activities|conservation flt_Activities|documentation flt_Activities|numérisation flt_Activities|production flt_Activities|valorisation flt_Activities|materiel flt_Activities|réseaux flt_Activities|publication flt_type|structure flt_type|structure ) )
    Plus d'information
  • France

    20-24 rue Jo Gouttebarge
    42000 Saint-Étienne

    > See the website

    Cinémathèque of Saint-Etienne

    The Cinémathèque of Saint-Étienne is a municipal institution that has been dedicated to cinema for over a century. It is the oldest regional Cinémathèque in France.
    Founded in 1922, the Filmathèque pédagogique, then the Office du Cinéma Educateur de St Etienne, only officially adopted the name Cinémathèque municipale de Saint-Etienne in 1971, to take on new functions in the conservation and promotion of film heritage, particularly of amateur films.

    Collecting, conserving, restoring, digitizing, distributing, promoting
    Since its creation in 1922, the Cinémathèque has been responsible for safeguarding and promoting our cinematographic heritage.
    Educational films and burlesque fictions of silent cinema made up the first collections, enriched by theatrical films (35 mm, 16 mm, 9.5 mm), documentaries, short and feature-length films, stencil-colored films, not forgetting regional films shot by the Cinémathèque or amateur filmmakers as early as 1923.

    The 1980s marked a turning point with the acquisition of institutional films (companies, local authorities, associations…) and today the systematic collection of amateur films.
    The Cinémathèque currently holds a collection of over 20,000 film titles, including auteur, educational, commercial, institutional, documentary and experimental films, from the birth of cinema to the present day, on film, video or digital media.

    The Cinémathèque offers a daily program of screenings and lectures on the history and aesthetics of cinema, free of charge and open to all, with no booking required. Numerous screenings are organized in partnership with regional and national cultural, artistic, associative and academic actors.
    All screenings are accompanied by events, lectures and presentations featuring a wide range of guests. These events are increasingly supported by digital technologies. In this way, the Cinémathèque perpetuates, in new ways, a tradition of public education that goes back over a century.
    The Cinémathèque is a key point of contact for researchers, students, filmmakers and production companies when it comes to historical, amateur or institutional audiovisual archives.

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • restauration
    • ressources_pédagogiques
    • materiel
    • réseaux
    • publication
    • recherche

    Contact : Antoine Ravat - Manager

    antoine.ravat@saint-etienne.fr

    France

    20-24 rue Jo Gouttebarge
    42000 Saint-Étienne

    > See the website

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    The Cinémathèque of Saint-Étienne is a municipal institution that has been dedicated to cinema for over a century. It is the oldest regional Cinémathèque in France.
    Founded in 1922, the Filmathèque pédagogique, then the Office du Cinéma Educateur de St Etienne, only officially adopted the name Cinémathèque municipale de Saint-Etienne in 1971, to take on new functions in the conservation and promotion of film heritage, particularly of amateur films.

    [text] =>

    Collecting, conserving, restoring, digitizing, distributing, promoting
    Since its creation in 1922, the Cinémathèque has been responsible for safeguarding and promoting our cinematographic heritage.
    Educational films and burlesque fictions of silent cinema made up the first collections, enriched by theatrical films (35 mm, 16 mm, 9.5 mm), documentaries, short and feature-length films, stencil-colored films, not forgetting regional films shot by the Cinémathèque or amateur filmmakers as early as 1923.

    The 1980s marked a turning point with the acquisition of institutional films (companies, local authorities, associations…) and today the systematic collection of amateur films.
    The Cinémathèque currently holds a collection of over 20,000 film titles, including auteur, educational, commercial, institutional, documentary and experimental films, from the birth of cinema to the present day, on film, video or digital media.

    The Cinémathèque offers a daily program of screenings and lectures on the history and aesthetics of cinema, free of charge and open to all, with no booking required. Numerous screenings are organized in partnership with regional and national cultural, artistic, associative and academic actors.
    All screenings are accompanied by events, lectures and presentations featuring a wide range of guests. These events are increasingly supported by digital technologies. In this way, the Cinémathèque perpetuates, in new ways, a tradition of public education that goes back over a century.
    The Cinémathèque is a key point of contact for researchers, students, filmmakers and production companies when it comes to historical, amateur or institutional audiovisual archives.

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    20-24 rue Jo Gouttebarge
    42000 Saint-Étienne

    > See the website

    [links] => [short] =>

    The Cinémathèque of Saint-Étienne is a municipal institution that has been dedicated to cinema for over a century. It is the oldest regional Cinémathèque in France.
    Founded in 1922, the Filmathèque pédagogique, then the Office du Cinéma Educateur de St Etienne, only officially adopted the name Cinémathèque municipale de Saint-Etienne in 1971, to take on new functions in the conservation and promotion of film heritage, particularly of amateur films.

    [activite] => Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • restauration
    • ressources_pédagogiques
    • materiel
    • réseaux
    • publication
    • recherche
    [contact] => Antoine Ravat - Manager [contact_email] => antoine.ravat@saint-etienne.fr [contact_image] => [create_date] => [email] => antoine.ravat@saint-etienne.fr [text] =>

    Collecting, conserving, restoring, digitizing, distributing, promoting
    Since its creation in 1922, the Cinémathèque has been responsible for safeguarding and promoting our cinematographic heritage.
    Educational films and burlesque fictions of silent cinema made up the first collections, enriched by theatrical films (35 mm, 16 mm, 9.5 mm), documentaries, short and feature-length films, stencil-colored films, not forgetting regional films shot by the Cinémathèque or amateur filmmakers as early as 1923.

    The 1980s marked a turning point with the acquisition of institutional films (companies, local authorities, associations…) and today the systematic collection of amateur films.
    The Cinémathèque currently holds a collection of over 20,000 film titles, including auteur, educational, commercial, institutional, documentary and experimental films, from the birth of cinema to the present day, on film, video or digital media.

    The Cinémathèque offers a daily program of screenings and lectures on the history and aesthetics of cinema, free of charge and open to all, with no booking required. Numerous screenings are organized in partnership with regional and national cultural, artistic, associative and academic actors.
    All screenings are accompanied by events, lectures and presentations featuring a wide range of guests. These events are increasingly supported by digital technologies. In this way, the Cinémathèque perpetuates, in new ways, a tradition of public education that goes back over a century.
    The Cinémathèque is a key point of contact for researchers, students, filmmakers and production companies when it comes to historical, amateur or institutional audiovisual archives.

    [readMore] => > Read more [css_class] => flt_country|France flt_Activities|collecte flt_Activities|conservation flt_Activities|documentation flt_Activities|numérisation flt_Activities|production flt_Activities|valorisation flt_Activities|restauration flt_Activities|ressources_pédagogiques flt_Activities|materiel flt_Activities|réseaux flt_Activities|publication flt_Activities|recherche flt_type|structure flt_type|structure ) )
    Plus d'information
  • France

    69 rue du Taur BP 824
    31080 Toulouse Cedex 6
    +33 5 62 30 30 10

    > See the website

    Cinémathèque of Toulouse

    Founded in 1964 by passionate cinephiles grouped around Raymond Borde, member of the International Federation of Film Archives (FIAF) since 1965 and currently chaired by Robert Guédiguian, the Cinémathèque de Toulouse is one of France’s three main film archives, and the second largest in France. Supported by the French Ministry of Culture and Communication, the Centre national du cinéma et de l’image animée (CNC), the City of Toulouse, the Conseil Départemental de la Haute-Garonne and the Occitanie Region, it holds 48,211 inventoried prints, over 85,000 posters (the largest collection of film posters in France), 550,000 photographs, 72,000 press kits, 15,000 books on cinema, and pursues a policy of restoring and promoting cinematographic heritage to a wide audience.

    The Cinémathèque of Toulouse programs around a thousand screenings a year, devoted to thematic cycles, retrospectives and festivals. Its 235 seats, distributed in two auditoriums, can accommodate film concerts, professional meetings, debates with guests, sessions for school audiences, symposia and more. Regular exhibitions echoing the programming are an opportunity to present rare items from the collections of the Cinémathèque de Toulouse or from those of its foreign counterparts. The Cinémathèque’s collections, regularly enriched by donations or deposits from producers and professional as well as amateur filmmakers, are housed in a specially-built center in Balma, just outside Toulouse. The Cinémathèque’s mission is twofold: first, to preserve photochemical films and other documents of great value to the history of cinema; and secondly, to promote and disseminate the cinematographic heritage. To facilitate access to its collections, the Cinémathèque has developped a digitization workflow enabling digital transfer of 8 mm, S8 mm, 9.5 mm, 16 mm and 35 mm films. In order to continue digitizing and putting documents online, the Cinémathèque de Toulouse is open to all proposals for deposits or donations, in order to keep preserving filmic memory in the best possible conditions.

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • valorisation

    Contact : Francesca Bozzano - Collections Manager

    francesca.bozzano@lacinemathequedetoulouse.com

    France

    69 rue du Taur BP 824
    31080 Toulouse Cedex 6
    +33 5 62 30 30 10

    > See the website

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    The Cinémathèque of Toulouse programs around a thousand screenings a year, devoted to thematic cycles, retrospectives and festivals. Its 235 seats, distributed in two auditoriums, can accommodate film concerts, professional meetings, debates with guests, sessions for school audiences, symposia and more. Regular exhibitions echoing the programming are an opportunity to present rare items from the collections of the Cinémathèque de Toulouse or from those of its foreign counterparts. The Cinémathèque’s collections, regularly enriched by donations or deposits from producers and professional as well as amateur filmmakers, are housed in a specially-built center in Balma, just outside Toulouse. The Cinémathèque’s mission is twofold: first, to preserve photochemical films and other documents of great value to the history of cinema; and secondly, to promote and disseminate the cinematographic heritage. To facilitate access to its collections, the Cinémathèque has developped a digitization workflow enabling digital transfer of 8 mm, S8 mm, 9.5 mm, 16 mm and 35 mm films. In order to continue digitizing and putting documents online, the Cinémathèque de Toulouse is open to all proposals for deposits or donations, in order to keep preserving filmic memory in the best possible conditions.

    [short_text] =>

    Founded in 1964 by passionate cinephiles grouped around Raymond Borde, member of the International Federation of Film Archives (FIAF) since 1965 and currently chaired by Robert Guédiguian, the Cinémathèque de Toulouse is one of France’s three main film archives, and the second largest in France. Supported by the French Ministry of Culture and Communication, the Centre national du cinéma et de l’image animée (CNC), the City of Toulouse, the Conseil Départemental de la Haute-Garonne and the Occitanie Region, it holds 48,211 inventoried prints, over 85,000 posters (the largest collection of film posters in France), 550,000 photographs, 72,000 press kits, 15,000 books on cinema, and pursues a policy of restoring and promoting cinematographic heritage to a wide audience.

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    69 rue du Taur BP 824
    31080 Toulouse Cedex 6
    +33 5 62 30 30 10

    > See the website

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    Founded in 1964 by passionate cinephiles grouped around Raymond Borde, member of the International Federation of Film Archives (FIAF) since 1965 and currently chaired by Robert Guédiguian, the Cinémathèque de Toulouse is one of France’s three main film archives, and the second largest in France. Supported by the French Ministry of Culture and Communication, the Centre national du cinéma et de l’image animée (CNC), the City of Toulouse, the Conseil Départemental de la Haute-Garonne and the Occitanie Region, it holds 48,211 inventoried prints, over 85,000 posters (the largest collection of film posters in France), 550,000 photographs, 72,000 press kits, 15,000 books on cinema, and pursues a policy of restoring and promoting cinematographic heritage to a wide audience.

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    • numérisation
    • valorisation
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    The Cinémathèque of Toulouse programs around a thousand screenings a year, devoted to thematic cycles, retrospectives and festivals. Its 235 seats, distributed in two auditoriums, can accommodate film concerts, professional meetings, debates with guests, sessions for school audiences, symposia and more. Regular exhibitions echoing the programming are an opportunity to present rare items from the collections of the Cinémathèque de Toulouse or from those of its foreign counterparts. The Cinémathèque’s collections, regularly enriched by donations or deposits from producers and professional as well as amateur filmmakers, are housed in a specially-built center in Balma, just outside Toulouse. The Cinémathèque’s mission is twofold: first, to preserve photochemical films and other documents of great value to the history of cinema; and secondly, to promote and disseminate the cinematographic heritage. To facilitate access to its collections, the Cinémathèque has developped a digitization workflow enabling digital transfer of 8 mm, S8 mm, 9.5 mm, 16 mm and 35 mm films. In order to continue digitizing and putting documents online, the Cinémathèque de Toulouse is open to all proposals for deposits or donations, in order to keep preserving filmic memory in the best possible conditions.

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    Plus d'information
  • France

    11 rue du Commandant Mages
    F-13000 Marseille
    +33 4 91 62 46 30

    > See the website

    Cinémémoire

    Cinémoire, founded in 2001, is an amateur film library that collects, digitizes, documents, archives and promotes previously unseen films. Cinémoire preserves a collection of some 6,000 reels from the Provence region and former French colonies, of which over 2,700 hours have been digitized and made available online.

    The Cinémoire association grew out of the Circuit Court association, itself founded in 1992. Circuit Court participates in the creation and distribution of artists’ films, and has built up a collection of such productions, mostly shot in Super8. In 1997, director Claude Bossion collected over 200 hours of amateur films shot in the former French colonies for the film “Mémoire d’outre-mer”. This discovery aroused his interest and inspired him to safeguard other previously unseen images. Cinémoire is responsible for promoting Circuit-Court’s film collection. Its objectives are to collect, digitize and promote its collection of moving images, through screenings, educational workshops, film production, analysis and critique of its collection of archival images from the former French colonies, as well as of films made in the Provence, Alpes, Côte d’Azur region and of artists’ films. In addition to these three major collections, Cinémoire preserves images from all over the world, depicting daily family or local life, as well as historical or political events, sporting events, scientific explorations, travels, customs, etc.

    Cinémoire makes its archive film collection available to researchers and film professionals, as well as to the general public, via its database on the cinememoire.net website. Its aim is to defend the aesthetic and artistic qualities of the collected films, to protect their fragile existence, and to see them as cultural and anthropological documents. These little films are not just anecdotal accounts; each one contains the essence of its era, and a piece of history.

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • ressources_pédagogiques
    • materiel
    • réseaux

    Contact : Agnès O'Martins - Audiovisual collection manager

    agnes@cinememoire.net

    France

    11 rue du Commandant Mages
    F-13000 Marseille
    +33 4 91 62 46 30

    > See the website

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    The Cinémoire association grew out of the Circuit Court association, itself founded in 1992. Circuit Court participates in the creation and distribution of artists’ films, and has built up a collection of such productions, mostly shot in Super8. In 1997, director Claude Bossion collected over 200 hours of amateur films shot in the former French colonies for the film “Mémoire d’outre-mer”. This discovery aroused his interest and inspired him to safeguard other previously unseen images. Cinémoire is responsible for promoting Circuit-Court’s film collection. Its objectives are to collect, digitize and promote its collection of moving images, through screenings, educational workshops, film production, analysis and critique of its collection of archival images from the former French colonies, as well as of films made in the Provence, Alpes, Côte d’Azur region and of artists’ films. In addition to these three major collections, Cinémoire preserves images from all over the world, depicting daily family or local life, as well as historical or political events, sporting events, scientific explorations, travels, customs, etc.

    Cinémoire makes its archive film collection available to researchers and film professionals, as well as to the general public, via its database on the cinememoire.net website. Its aim is to defend the aesthetic and artistic qualities of the collected films, to protect their fragile existence, and to see them as cultural and anthropological documents. These little films are not just anecdotal accounts; each one contains the essence of its era, and a piece of history.

    [short_text] =>

    Cinémoire, founded in 2001, is an amateur film library that collects, digitizes, documents, archives and promotes previously unseen films. Cinémoire preserves a collection of some 6,000 reels from the Provence region and former French colonies, of which over 2,700 hours have been digitized and made available online.

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    11 rue du Commandant Mages
    F-13000 Marseille
    +33 4 91 62 46 30

    > See the website

    [links] => [short] =>

    Cinémoire, founded in 2001, is an amateur film library that collects, digitizes, documents, archives and promotes previously unseen films. Cinémoire preserves a collection of some 6,000 reels from the Provence region and former French colonies, of which over 2,700 hours have been digitized and made available online.

    [activite] => Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • ressources_pédagogiques
    • materiel
    • réseaux
    [contact] => Agnès O'Martins - Audiovisual collection manager [contact_email] => agnes@cinememoire.net [contact_image] =>
    [create_date] => [email] => agnes@cinememoire.net [text] =>

    The Cinémoire association grew out of the Circuit Court association, itself founded in 1992. Circuit Court participates in the creation and distribution of artists’ films, and has built up a collection of such productions, mostly shot in Super8. In 1997, director Claude Bossion collected over 200 hours of amateur films shot in the former French colonies for the film “Mémoire d’outre-mer”. This discovery aroused his interest and inspired him to safeguard other previously unseen images. Cinémoire is responsible for promoting Circuit-Court’s film collection. Its objectives are to collect, digitize and promote its collection of moving images, through screenings, educational workshops, film production, analysis and critique of its collection of archival images from the former French colonies, as well as of films made in the Provence, Alpes, Côte d’Azur region and of artists’ films. In addition to these three major collections, Cinémoire preserves images from all over the world, depicting daily family or local life, as well as historical or political events, sporting events, scientific explorations, travels, customs, etc.

    Cinémoire makes its archive film collection available to researchers and film professionals, as well as to the general public, via its database on the cinememoire.net website. Its aim is to defend the aesthetic and artistic qualities of the collected films, to protect their fragile existence, and to see them as cultural and anthropological documents. These little films are not just anecdotal accounts; each one contains the essence of its era, and a piece of history.

    [readMore] => > Read more [css_class] => flt_country|France flt_Activities|collecte flt_Activities|conservation flt_Activities|documentation flt_Activities|numérisation flt_Activities|production flt_Activities|valorisation flt_Activities|ressources_pédagogiques flt_Activities|materiel flt_Activities|réseaux flt_type|structure flt_type|structure ) )
    Plus d'information
  • France

    75 rue de Neyrat
    63100 Clermont-Ferrand
    +33 4 73 23 95 11

    > See the website

    County Archives of Puy-de-Dôme

    Since 2015, the County Archives of Puy-de-Dôme has been collecting, classifying, conserving and promoting audiovisual archives of interest to the Puy-de-Dôme and Auvergne regions. They promote these collections through their institutional website, as well as through the “Archives and Cinema” program, which enables archive films to be shown at various venues and on multiple occasions in the Puy-de-Dôme region.

    The collections mainly consist of non-theatrical films/videos (amateur films, promotional films, corporate films, camera club films etc.), plus a few films made by professional filmmakers and cameramen (such as Georges Sénéchal, René Crozet, Jean-Dominique Lajoux). The film and video department has around one hundred collection holdings, representing over 500 hours of images covering the period from 1925 (the Jean Piollet and Amaury Laurentin collections) to the 2000s. The County Archives handle all substandard film formats (9.5mm, 16mm, 8mm and Super-8), the standard 35mm format, as well as analog video (U-Matic, Hi8, VHS, etc.) and digital video formats (DV, Mini-DV, DVD, etc.). After a preliminary viewing, if they meet the criteria of the County Archives, these documents are indexed, digitized (the documents being returned to the donors or lenders in the form of digital files), documented, preserved (physically and/or digitally), and made available on the County Archives’ website and as part of the “Archives and Cinema” program.

    Création de la structure en 2015

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • materiel

    Contact : Olivier Meunier - Audiovisual archives manager

    olivier.meunier@puy-de-dome.fr

    France

    75 rue de Neyrat
    63100 Clermont-Ferrand
    +33 4 73 23 95 11

    > See the website

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    The collections mainly consist of non-theatrical films/videos (amateur films, promotional films, corporate films, camera club films etc.), plus a few films made by professional filmmakers and cameramen (such as Georges Sénéchal, René Crozet, Jean-Dominique Lajoux). The film and video department has around one hundred collection holdings, representing over 500 hours of images covering the period from 1925 (the Jean Piollet and Amaury Laurentin collections) to the 2000s. The County Archives handle all substandard film formats (9.5mm, 16mm, 8mm and Super-8), the standard 35mm format, as well as analog video (U-Matic, Hi8, VHS, etc.) and digital video formats (DV, Mini-DV, DVD, etc.). After a preliminary viewing, if they meet the criteria of the County Archives, these documents are indexed, digitized (the documents being returned to the donors or lenders in the form of digital files), documented, preserved (physically and/or digitally), and made available on the County Archives’ website and as part of the “Archives and Cinema” program.

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    Since 2015, the County Archives of Puy-de-Dôme has been collecting, classifying, conserving and promoting audiovisual archives of interest to the Puy-de-Dôme and Auvergne regions. They promote these collections through their institutional website, as well as through the “Archives and Cinema” program, which enables archive films to be shown at various venues and on multiple occasions in the Puy-de-Dôme region.

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    75 rue de Neyrat
    63100 Clermont-Ferrand
    +33 4 73 23 95 11

    > See the website

    [links] => [short] =>

    Since 2015, the County Archives of Puy-de-Dôme has been collecting, classifying, conserving and promoting audiovisual archives of interest to the Puy-de-Dôme and Auvergne regions. They promote these collections through their institutional website, as well as through the “Archives and Cinema” program, which enables archive films to be shown at various venues and on multiple occasions in the Puy-de-Dôme region.

    [activite] => Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • materiel
    [contact] => Olivier Meunier - Audiovisual archives manager [contact_email] => olivier.meunier@puy-de-dome.fr [contact_image] =>
    [create_date] => 2015 [email] => olivier.meunier@puy-de-dome.fr [text] =>

    The collections mainly consist of non-theatrical films/videos (amateur films, promotional films, corporate films, camera club films etc.), plus a few films made by professional filmmakers and cameramen (such as Georges Sénéchal, René Crozet, Jean-Dominique Lajoux). The film and video department has around one hundred collection holdings, representing over 500 hours of images covering the period from 1925 (the Jean Piollet and Amaury Laurentin collections) to the 2000s. The County Archives handle all substandard film formats (9.5mm, 16mm, 8mm and Super-8), the standard 35mm format, as well as analog video (U-Matic, Hi8, VHS, etc.) and digital video formats (DV, Mini-DV, DVD, etc.). After a preliminary viewing, if they meet the criteria of the County Archives, these documents are indexed, digitized (the documents being returned to the donors or lenders in the form of digital files), documented, preserved (physically and/or digitally), and made available on the County Archives’ website and as part of the “Archives and Cinema” program.

    [readMore] => > Read more [css_class] => flt_country|France flt_Activities|collecte flt_Activities|conservation flt_Activities|documentation flt_Activities|numérisation flt_Activities|production flt_Activities|valorisation flt_Activities|materiel flt_type|structure flt_type|structure ) )
    Plus d'information
  • France

    12, rue de la Poyat
    F-39200 Saint-Claude
    +33 3 84 45 24 84 et
    +33 6 77 01 75 41

    > See the website

    Denis Bepoix (La Cinémathèque des Monts Jura)

    La Cinémathèque des Monts Jura is an association according to the 1901 French law and has around 30 active members.

    The association’s mission is to research and catalog amateur and documentary films made in the Jura region or by local directors, with a desire to “give back” these often neglected images to the public.

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • valorisation

    Contact : Denis Bepoix - Treasurer

    vieuxfilmsjura@emailasso.net

    France

    12, rue de la Poyat
    F-39200 Saint-Claude
    +33 3 84 45 24 84 et
    +33 6 77 01 75 41

    > See the website

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    12, rue de la Poyat
    F-39200 Saint-Claude
    +33 3 84 45 24 84 et
    +33 6 77 01 75 41

    > See the website

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    • conservation
    • documentation
    • numérisation
    • valorisation
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    The association’s mission is to research and catalog amateur and documentary films made in the Jura region or by local directors, with a desire to “give back” these often neglected images to the public.

    [readMore] => > Read more [css_class] => flt_country|France flt_Activities|collecte flt_Activities|conservation flt_Activities|documentation flt_Activities|numérisation flt_Activities|valorisation flt_type|structure flt_type|structure ) )
    Plus d'information
  • France

    2 à 8 route du Fort
    F-94200 Ivry-sur-Seine
    +33 1 49 60 52 06

    > See the website

    ECPAD

    ECPAD is the audiovisual archives and production center of the French Ministry of the Armed Forces. It holds audiovisual and photographic archives covering all the conflicts in which the French army has been involved since 1915: 15 million photos and 94,000 hours of film. These holdings are constantly enriched by the work of military reporters, contributions from defense organizations, private donations and purchases.

    Based at the Fort d’Ivry-sur-Seine since 1948, ECPAD bears witness in real time to the commitment of the French armed forces in all theaters of operation, with its reporting teams trained in operational filming conditions. A true cultural player, ECPAD promotes its holdings through film co-production, co-publishing of works, exhibitions and participation in festivals. ECPAD is also a key player in research and in the education of schoolchildren, students and teachers, as well as a training center thanks to its École des métiers de l’image (EMI).

    Création de la structure en 1915

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • restauration
    • ressources_pédagogiques
    • materiel
    • réseaux
    • publication
    • recherche

    Contact : Cécile Roger - Archives Head

    cecile.roger@ecpad.fr

    France

    2 à 8 route du Fort
    F-94200 Ivry-sur-Seine
    +33 1 49 60 52 06

    > See the website

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    ECPAD is the audiovisual archives and production center of the French Ministry of the Armed Forces. It holds audiovisual and photographic archives covering all the conflicts in which the French army has been involved since 1915: 15 million photos and 94,000 hours of film. These holdings are constantly enriched by the work of military reporters, contributions from defense organizations, private donations and purchases.

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    2 à 8 route du Fort
    F-94200 Ivry-sur-Seine
    +33 1 49 60 52 06

    > See the website

    [links] => [short] =>

    ECPAD is the audiovisual archives and production center of the French Ministry of the Armed Forces. It holds audiovisual and photographic archives covering all the conflicts in which the French army has been involved since 1915: 15 million photos and 94,000 hours of film. These holdings are constantly enriched by the work of military reporters, contributions from defense organizations, private donations and purchases.

    [activite] => Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • restauration
    • ressources_pédagogiques
    • materiel
    • réseaux
    • publication
    • recherche
    [contact] => Cécile Roger - Archives Head [contact_email] => cecile.roger@ecpad.fr [contact_image] =>
    [create_date] => 1915 [email] => cecile.roger@ecpad.fr [text] =>
    Based at the Fort d’Ivry-sur-Seine since 1948, ECPAD bears witness in real time to the commitment of the French armed forces in all theaters of operation, with its reporting teams trained in operational filming conditions. A true cultural player, ECPAD promotes its holdings through film co-production, co-publishing of works, exhibitions and participation in festivals. ECPAD is also a key player in research and in the education of schoolchildren, students and teachers, as well as a training center thanks to its École des métiers de l’image (EMI).
    [readMore] => > Read more [css_class] => flt_country|France flt_Activities|collecte flt_Activities|conservation flt_Activities|documentation flt_Activities|numérisation flt_Activities|production flt_Activities|valorisation flt_Activities|restauration flt_Activities|ressources_pédagogiques flt_Activities|materiel flt_Activities|réseaux flt_Activities|publication flt_Activities|recherche flt_type|structure flt_type|structure ) )
    Plus d'information
  • France

    40 rue de la Pépinière
    F-17000 La Rochelle
    +33 5 46 34 92 78

    > See the website

    Fond Audiovisuel de Recherche

    The FAR association – Fonds Audiovisuel de Recherche – collects amateur images from the Charente-Maritime region. To an extent, it acts as the film library of Charente-Maritime, preserving more than 1,400 hours of film from 1907 to the present day for the local people’s memory. In the summer, it covers local events with tis volunteers and their cameras to build the local audiovisual memory of the future. Today’s images are tomorrow’s archives!

    FAR – Fonds Audiovisuel de Recherche – is an association that has been working for over 25 years to safeguard, digitize and promote the audiovisual archives of families and amateurs in Charente-Maritime. Its collections include over 80,000 photographs and some 1,400 hours of film, from 1907 to the present day. In addition, it is involved in educational activities, offering workshops and hands-on audiovisual activities for schools, social and leisure centers on topics such as making a short-film, a TV production, or learning to edit and handle old films. In summer, its activities take on a whole other dimension: since today’s images are tomorrow’s archives, the employees and volunteers leave their offices with their cameras to cover local events. FAR also coordinates the Passeurs d’Images program and organizes some thirty free open-air cinema screenings per year in the towns of Rochelle and Rochefort.
    Activités :
    • collecte
    • documentation
    • numérisation
    • valorisation
    • ressources_pédagogiques
    • réseaux
    • recherche

    Contact : Denis Gougeon - President

    presidence@far-asso.fr

    France

    40 rue de la Pépinière
    F-17000 La Rochelle
    +33 5 46 34 92 78

    > See the website

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    FAR – Fonds Audiovisuel de Recherche – is an association that has been working for over 25 years to safeguard, digitize and promote the audiovisual archives of families and amateurs in Charente-Maritime. Its collections include over 80,000 photographs and some 1,400 hours of film, from 1907 to the present day. In addition, it is involved in educational activities, offering workshops and hands-on audiovisual activities for schools, social and leisure centers on topics such as making a short-film, a TV production, or learning to edit and handle old films. In summer, its activities take on a whole other dimension: since today’s images are tomorrow’s archives, the employees and volunteers leave their offices with their cameras to cover local events. FAR also coordinates the Passeurs d’Images program and organizes some thirty free open-air cinema screenings per year in the towns of Rochelle and Rochefort.
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    The FAR association – Fonds Audiovisuel de Recherche – collects amateur images from the Charente-Maritime region. To an extent, it acts as the film library of Charente-Maritime, preserving more than 1,400 hours of film from 1907 to the present day for the local people’s memory. In the summer, it covers local events with tis volunteers and their cameras to build the local audiovisual memory of the future. Today’s images are tomorrow’s archives!

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    40 rue de la Pépinière
    F-17000 La Rochelle
    +33 5 46 34 92 78

    > See the website

    [links] => [short] =>

    The FAR association – Fonds Audiovisuel de Recherche – collects amateur images from the Charente-Maritime region. To an extent, it acts as the film library of Charente-Maritime, preserving more than 1,400 hours of film from 1907 to the present day for the local people’s memory. In the summer, it covers local events with tis volunteers and their cameras to build the local audiovisual memory of the future. Today’s images are tomorrow’s archives!

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    • documentation
    • numérisation
    • valorisation
    • ressources_pédagogiques
    • réseaux
    • recherche
    [contact] => Denis Gougeon - President [contact_email] => presidence@far-asso.fr [contact_image] =>
    [create_date] => [email] => presidence@far-asso.fr [text] =>
    FAR – Fonds Audiovisuel de Recherche – is an association that has been working for over 25 years to safeguard, digitize and promote the audiovisual archives of families and amateurs in Charente-Maritime. Its collections include over 80,000 photographs and some 1,400 hours of film, from 1907 to the present day. In addition, it is involved in educational activities, offering workshops and hands-on audiovisual activities for schools, social and leisure centers on topics such as making a short-film, a TV production, or learning to edit and handle old films. In summer, its activities take on a whole other dimension: since today’s images are tomorrow’s archives, the employees and volunteers leave their offices with their cameras to cover local events. FAR also coordinates the Passeurs d’Images program and organizes some thirty free open-air cinema screenings per year in the towns of Rochelle and Rochefort.
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    Plus d'information
  • Italy

    via Sant’Isaïa 18
    I-40123 Bologne
    +39 051 339 72 43

    > See the website

    Fondazione Home Movies / Archivio Nazionale del film di Famiglia

    The National Amateur Film Archive was founded in 2002 with the mission of preserving and exploring amateur and family films, an audiovisual heritage that is still little known and difficult to access. The heritage safeguarded by the Home Movies Foundation constitutes an important and precious visual resource for Italian history in the 20th century: it documents both the transformation of the Italian landscape and its social changes, from the customs and traditions of the various regions to the habits of everyday life in the last century.

    Founded in 2002 in Bologna, Home Movies is the first archive in Italy dedicated entirely to the conservation, restoration and valorization of private film heritage, family, amateur, industrial, experimental Italian: a heritage of immeasurable historical, social and cultural value otherwise at risk. Home Movies has been collecting small-gauge format films for more than twenty years – 9.5mm, 16mm, 8mm, Super8 – which is acquired through donations from private individuals or broader collection projects in collaboration with municipalities, bodies, foundations and companies. To date, it preserves in its spaces more than 35,000 from all over the national territory which it gives back to the community with numerous cultural activities.

    Création de la structure en 2002

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • restauration
    • ressources_pédagogiques
    • materiel

    Contact : Mirco Santi - Technical Coordinator

    info@homemovies.it

    Italy

    via Sant’Isaïa 18
    I-40123 Bologne
    +39 051 339 72 43

    > See the website

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    I-40123 Bologne
    +39 051 339 72 43

    > See the website

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    Founded in 2002 in Bologna, Home Movies is the first archive in Italy dedicated entirely to the conservation, restoration and valorization of private film heritage, family, amateur, industrial, experimental Italian: a heritage of immeasurable historical, social and cultural value otherwise at risk. Home Movies has been collecting small-gauge format films for more than twenty years – 9.5mm, 16mm, 8mm, Super8 – which is acquired through donations from private individuals or broader collection projects in collaboration with municipalities, bodies, foundations and companies. To date, it preserves in its spaces more than 35,000 from all over the national territory which it gives back to the community with numerous cultural activities.

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    Plus d'information
  • France

    2 rue du Cinéma
    F-75001 Paris
    +33 1 44 76 63 64

    > See the website

    Forum des images

    Created in 1988 to compile an audiovisual memory bank of Paris, the Forum des Images has since celebrated cinema and moving pictures of all kinds: feature and animated films, documentaries, shorts, television series, computer films… through thematic film programs, film festivals or special events, and a collection of over 6,000 hours of filmed material.

    The institution began by bringing together a collection of films about the city, shot as early as 1895, with the greatest possible variety of origins, genres and media.
    Among the various films collections offered to the audience, le Forum des Images has one specifically dedicated to amateur and family films.
    In 1989, a first amateur films collect campaign was launched. Hundreds of films were gathered for “Objectif amateur”, a TV broadcost hosted by Pierre Tchernia, passionate about cinema and President of the Forum des images during 20 years. This film collection intended to historians, filmmakers and even to the general audience has not stopped growing and now gathers over 2800 films. Family films, sometimes shot over several decades, include documentaries, often relating important or historical events, animated and fiction films.
    For the time only 15% of the films can be consulted in our viewing room on individual screens, by one person or several, and some of them can even be viewed on our website.

    Requests for these collections should currently be addressed to Cinéam – The Audiovisual Archives of the Paris suburbs.

    Activités :
    • collecte
    • documentation
    • numérisation
    • production
    • valorisation

    Contact : Magali Magne - Documentary researcher in charge of the family film collections

    magali.magne@forumdesimages.fr

    France

    2 rue du Cinéma
    F-75001 Paris
    +33 1 44 76 63 64

    > See the website

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    The institution began by bringing together a collection of films about the city, shot as early as 1895, with the greatest possible variety of origins, genres and media.
    Among the various films collections offered to the audience, le Forum des Images has one specifically dedicated to amateur and family films.
    In 1989, a first amateur films collect campaign was launched. Hundreds of films were gathered for “Objectif amateur”, a TV broadcost hosted by Pierre Tchernia, passionate about cinema and President of the Forum des images during 20 years. This film collection intended to historians, filmmakers and even to the general audience has not stopped growing and now gathers over 2800 films. Family films, sometimes shot over several decades, include documentaries, often relating important or historical events, animated and fiction films.
    For the time only 15% of the films can be consulted in our viewing room on individual screens, by one person or several, and some of them can even be viewed on our website.

    Requests for these collections should currently be addressed to Cinéam – The Audiovisual Archives of the Paris suburbs.

    [short_text] =>

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    [links] => [short] =>

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    • valorisation
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    [create_date] => [email] => magali.magne@forumdesimages.fr [text] =>

    The institution began by bringing together a collection of films about the city, shot as early as 1895, with the greatest possible variety of origins, genres and media.
    Among the various films collections offered to the audience, le Forum des Images has one specifically dedicated to amateur and family films.
    In 1989, a first amateur films collect campaign was launched. Hundreds of films were gathered for “Objectif amateur”, a TV broadcost hosted by Pierre Tchernia, passionate about cinema and President of the Forum des images during 20 years. This film collection intended to historians, filmmakers and even to the general audience has not stopped growing and now gathers over 2800 films. Family films, sometimes shot over several decades, include documentaries, often relating important or historical events, animated and fiction films.
    For the time only 15% of the films can be consulted in our viewing room on individual screens, by one person or several, and some of them can even be viewed on our website.

    Requests for these collections should currently be addressed to Cinéam – The Audiovisual Archives of the Paris suburbs.

    [readMore] => > Read more [css_class] => flt_country|France flt_Activities|collecte flt_Activities|documentation flt_Activities|numérisation flt_Activities|production flt_Activities|valorisation flt_type|structure flt_type|structure ) )
    Plus d'information
  • France

    F-75020 Paris
    +33 7 85 19 69 47

    Giorgia Villa

    Film editor

    Activités :
    • production

    georgiavilla@gmail.com

    France

    F-75020 Paris
    +33 7 85 19 69 47

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    Film editor

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    +33 7 85 19 69 47

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    Plus d'information
  • Austria

    Hungerbergstrasse 23/1/16
    1190 Vienna

    > See the website

    Heidi Fial

    Heidi Fial is part of the technical department of the Filmarchiv Austria in the field of manual film restoration and digitization, focused on small film gauges and amateurfilm, as well as Nitrate film and newsreels.

    Self-employed active as a composer and instrumentalist with special focus on silentfilm live scoring, soundtracking and improvised music, and as a filmmaker and cultural mediator. Founder of the “Archiv der Unterhaltung und des Wissens”, a private archive and long-term research project about forgotten inventions, cultural micro-movements and short-time fads, bringing together various analog sources, including almanachs, amateurfilm, amateur sound recordings, voiceletters, photographs, newsreels and oral history.

    Activités :
    • collecte
    • conservation
    • numérisation
    • restauration
    • materiel
    • réseaux
    • recherche

    Contact : Manual Restauration, Digitization, Research

    heidelinde.fial@gmail.com

    Austria

    Hungerbergstrasse 23/1/16
    1190 Vienna

    > See the website

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    Self-employed active as a composer and instrumentalist with special focus on silentfilm live scoring, soundtracking and improvised music, and as a filmmaker and cultural mediator. Founder of the “Archiv der Unterhaltung und des Wissens”, a private archive and long-term research project about forgotten inventions, cultural micro-movements and short-time fads, bringing together various analog sources, including almanachs, amateurfilm, amateur sound recordings, voiceletters, photographs, newsreels and oral history.

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    1190 Vienna

    > See the website

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    Heidi Fial is part of the technical department of the Filmarchiv Austria in the field of manual film restoration and digitization, focused on small film gauges and amateurfilm, as well as Nitrate film and newsreels.

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    • conservation
    • numérisation
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    • recherche
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    Self-employed active as a composer and instrumentalist with special focus on silentfilm live scoring, soundtracking and improvised music, and as a filmmaker and cultural mediator. Founder of the “Archiv der Unterhaltung und des Wissens”, a private archive and long-term research project about forgotten inventions, cultural micro-movements and short-time fads, bringing together various analog sources, including almanachs, amateurfilm, amateur sound recordings, voiceletters, photographs, newsreels and oral history.

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    Plus d'information
  • France

    Maison romaine - 2 rue de Nancy
    F-88000 Épinal
    +33 3 29 33 78 34

    > See the website

    Image'Est

    Image’Est is part of the Regional Visual Education Division in Lorraine, supporting the distribution of regional documentaries and short films, and collecting, preserving and digitizing the audiovisual, cinematographic and iconographic heritage of the Grand Est region. With a collection of almost 15,000 films and over 1.2 million photographs, it runs the Cinémathèques du Grand Est in the Lorraine and Champagne Ardenne regions. Since 2024, Image’Est has also organized the “Epinal fait son cinéma” festival.

    Created in 2009, Image’Est is an association of audio-visual media professionals in the Grand Est region, whose missions are divided into three branches: exhibition, visual education and heritage. The main aim of the exhibition division is to promote regional cinematographic and audiovisual creation of documentaries and short films, in particular by coordinating the regional Focus Film Grand Est program. Awarded the Regional Visual Education Division label by the National Film Center, the DRAC and the Région Grand Est, Image’Est aims to pass on the culture of the moving image, and to encourage the development of creativity from an early age. In 2024, as part of its activities, Image’Est launched the “Epinal fait son cinéma” festival, the 2nd edition of which is scheduled for March 18 to 23, 2025. The Pôle Patrimoine collects, preserves and digitizes the audiovisual, cinematographic and iconographic heritage of the Grand Est region, with collections of over 15,000 films (around 10,000 amateur films, 2,000 documentaries and educational films and 3,000 fiction films) and almost 1.5 million photographs.

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • valorisation
    • restauration
    • ressources_pédagogiques
    • réseaux
    • publication
    • recherche

    Contact : Guillaume Poulet - Director

    guillaume.poulet@image-est.fr

    France

    Maison romaine - 2 rue de Nancy
    F-88000 Épinal
    +33 3 29 33 78 34

    > See the website

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    Maison romaine - 2 rue de Nancy
    F-88000 Épinal
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    > See the website

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    • recherche
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    Created in 2009, Image’Est is an association of audio-visual media professionals in the Grand Est region, whose missions are divided into three branches: exhibition, visual education and heritage. The main aim of the exhibition division is to promote regional cinematographic and audiovisual creation of documentaries and short films, in particular by coordinating the regional Focus Film Grand Est program. Awarded the Regional Visual Education Division label by the National Film Center, the DRAC and the Région Grand Est, Image’Est aims to pass on the culture of the moving image, and to encourage the development of creativity from an early age. In 2024, as part of its activities, Image’Est launched the “Epinal fait son cinéma” festival, the 2nd edition of which is scheduled for March 18 to 23, 2025. The Pôle Patrimoine collects, preserves and digitizes the audiovisual, cinematographic and iconographic heritage of the Grand Est region, with collections of over 15,000 films (around 10,000 amateur films, 2,000 documentaries and educational films and 3,000 fiction films) and almost 1.5 million photographs.

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    Plus d'information
  • France

    Arsenal - 1 rue Jean Vielledent
    F-66000 Perpignan
    +33 4 68 34 09 39

    > See the website

    Jean Vigo Institute

    Founded in 1964 by Marcel Oms, the Institute became a cinémathèque in 2006 and an associate member of the International Federation of Film Archives (FIAF) in 2007. Today, it is chaired by Chantal Marchon, video artist and film professor. The Jean Vigo Institute works to safeguard cinematographic heritage, promote education in the visual arts and distribute films. Today, it is a significant hub for film distribution, research and conservation.

    The Jean Vigo Institute supports the conservation, valorization and transimission of film heritage. It leads a cultural, social, educational and editorial policy targeting a wide audience, through various actions for the dissemination of cinema, image education and the promotion of film and non-film heritage. The Jean Vigo Institute is also a documentation and research center, regularly welcoming scientists and artists in residence.

    The Conservation and Preservation of Film Heritage

    The Jean Vigo Institute’s collection now counts over 5,000 films. This highly diversified collection bears witness to the evolution of cinema, its history and its place in society. All formats and genres are represented: 35mm, 16mm, 9.5mm, 8mm and Super 8, covering fictions, trailers, short films as well as educational films, regional amateur films and experimental films. The collection grows incessantly. The call for regional amateur film collections launched by the Fédération International des Archives du Film, relayed since 2010 by the Jean Vigo Institutethrough its Mémoire Filmique Pyréénes-Méditerranée project, enables us to safeguard and enhance a precious regional collective memory. Furthermore, the Institute has been collecting 35mm prints donated by film distributors after the digital turn.

    Community life and film exhibition

    In the field of cinema promotion and distribution, the Institute’s actions are essentially centered around an yearly program and a film festival. The yearly program offers an average of two screenings a week, with an eclectic selection of classics, documentaries, contemporary independent films, regional films, genre films, family screenings, etc. Meetings with directors are organized around these screenings. In the ppast, audiences had the pleasure of meeting figures such as Eric Judor and Mathieu Amalric. Confrontation, the Institut Jean Vigo film festival, has been running for 53 years, during 6 days in April. Each edition, it explores a theme from the angle of the relationship between film history and society.

    Visual Education

    The Jean Vigo Institute is also keen to develop numerous visual education initiatives. It has been working for several years within the framework of four national systems: School and Cinema, Middle School at the Cinema, High School Students and Apprentices at the Cinema, and Passeurs d’Images. In 2005, it joined the educational services network of the Pyrénées Orientales department to directly interact with pupils and students from kindergarten to university and offer training to teachers. The arts schools of Perpignan and the universities of the territory Perpignan Via Domitia and Montpellier III Paul Valery also regularly join forces with the Jean Vigo Institute around various educational projects.

    Meeting “isolated” spectators

    The projects carried out by the Jean Vigo Institute are intended for a diverse audience, from early childhood to old age, from the so-called “hot” districts of Perpignan to cinephiles. Indeed, special screenings are organized in nurseries, retirement homes and social centers. They are accompanied by a debate or a workshop allowing a privileged exchange between audience and artists.

    Film Poster Exhibitions

    The Jean Vigo Institute’s poster collection includes more than 56,000 pieces. It constitutes the 3rd largest collection of cinema posters in France. It is representative of the entire history of the seventh art, from silent cinema to contemporary productions but also of all genres, from documentary to popular comedy. The safeguarding and conservation of this collection is necessarily accompanied by a restoration policy. Driven by the desire to share these treasures with as many people as possible, exhibitions are regularly organized.

    Publications

    The Jean Vigo Institute has always supported the publication of journals and books on the relationship between history and cinema. Exhibition catalogues and DVDs are also part of the documents that the Institute publishes or co-edits with regional publishing houses.

    Activités :
    • collecte
    • conservation
    • documentation
    • production
    • valorisation
    • ressources_pédagogiques
    • materiel
    • réseaux
    • publication
    • recherche

    Contact : Julien Avet - Film Holdings Manager

    julien.avet@inst-jeanvigo.eu

    France

    Arsenal - 1 rue Jean Vielledent
    F-66000 Perpignan
    +33 4 68 34 09 39

    > See the website

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    The Jean Vigo Institute supports the conservation, valorization and transimission of film heritage. It leads a cultural, social, educational and editorial policy targeting a wide audience, through various actions for the dissemination of cinema, image education and the promotion of film and non-film heritage. The Jean Vigo Institute is also a documentation and research center, regularly welcoming scientists and artists in residence.

    The Conservation and Preservation of Film Heritage

    The Jean Vigo Institute’s collection now counts over 5,000 films. This highly diversified collection bears witness to the evolution of cinema, its history and its place in society. All formats and genres are represented: 35mm, 16mm, 9.5mm, 8mm and Super 8, covering fictions, trailers, short films as well as educational films, regional amateur films and experimental films. The collection grows incessantly. The call for regional amateur film collections launched by the Fédération International des Archives du Film, relayed since 2010 by the Jean Vigo Institutethrough its Mémoire Filmique Pyréénes-Méditerranée project, enables us to safeguard and enhance a precious regional collective memory. Furthermore, the Institute has been collecting 35mm prints donated by film distributors after the digital turn.

    Community life and film exhibition

    In the field of cinema promotion and distribution, the Institute’s actions are essentially centered around an yearly program and a film festival. The yearly program offers an average of two screenings a week, with an eclectic selection of classics, documentaries, contemporary independent films, regional films, genre films, family screenings, etc. Meetings with directors are organized around these screenings. In the ppast, audiences had the pleasure of meeting figures such as Eric Judor and Mathieu Amalric. Confrontation, the Institut Jean Vigo film festival, has been running for 53 years, during 6 days in April. Each edition, it explores a theme from the angle of the relationship between film history and society.

    Visual Education

    The Jean Vigo Institute is also keen to develop numerous visual education initiatives. It has been working for several years within the framework of four national systems: School and Cinema, Middle School at the Cinema, High School Students and Apprentices at the Cinema, and Passeurs d’Images. In 2005, it joined the educational services network of the Pyrénées Orientales department to directly interact with pupils and students from kindergarten to university and offer training to teachers. The arts schools of Perpignan and the universities of the territory Perpignan Via Domitia and Montpellier III Paul Valery also regularly join forces with the Jean Vigo Institute around various educational projects.

    Meeting “isolated” spectators

    The projects carried out by the Jean Vigo Institute are intended for a diverse audience, from early childhood to old age, from the so-called “hot” districts of Perpignan to cinephiles. Indeed, special screenings are organized in nurseries, retirement homes and social centers. They are accompanied by a debate or a workshop allowing a privileged exchange between audience and artists.

    Film Poster Exhibitions

    The Jean Vigo Institute’s poster collection includes more than 56,000 pieces. It constitutes the 3rd largest collection of cinema posters in France. It is representative of the entire history of the seventh art, from silent cinema to contemporary productions but also of all genres, from documentary to popular comedy. The safeguarding and conservation of this collection is necessarily accompanied by a restoration policy. Driven by the desire to share these treasures with as many people as possible, exhibitions are regularly organized.

    Publications

    The Jean Vigo Institute has always supported the publication of journals and books on the relationship between history and cinema. Exhibition catalogues and DVDs are also part of the documents that the Institute publishes or co-edits with regional publishing houses.

    [short_text] =>

    Founded in 1964 by Marcel Oms, the Institute became a cinémathèque in 2006 and an associate member of the International Federation of Film Archives (FIAF) in 2007. Today, it is chaired by Chantal Marchon, video artist and film professor. The Jean Vigo Institute works to safeguard cinematographic heritage, promote education in the visual arts and distribute films. Today, it is a significant hub for film distribution, research and conservation.

    [pays] => Array ( [value] => FR [label] => France ) [adresse] => Arsenal - 1 rue Jean Vielledent
    F-66000 Perpignan
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    Arsenal - 1 rue Jean Vielledent
    F-66000 Perpignan
    +33 4 68 34 09 39

    > See the website

    [links] => [short] =>

    Founded in 1964 by Marcel Oms, the Institute became a cinémathèque in 2006 and an associate member of the International Federation of Film Archives (FIAF) in 2007. Today, it is chaired by Chantal Marchon, video artist and film professor. The Jean Vigo Institute works to safeguard cinematographic heritage, promote education in the visual arts and distribute films. Today, it is a significant hub for film distribution, research and conservation.

    [activite] => Activités :
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    • conservation
    • documentation
    • production
    • valorisation
    • ressources_pédagogiques
    • materiel
    • réseaux
    • publication
    • recherche
    [contact] => Julien Avet - Film Holdings Manager [contact_email] => julien.avet@inst-jeanvigo.eu [contact_image] =>
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    The Jean Vigo Institute supports the conservation, valorization and transimission of film heritage. It leads a cultural, social, educational and editorial policy targeting a wide audience, through various actions for the dissemination of cinema, image education and the promotion of film and non-film heritage. The Jean Vigo Institute is also a documentation and research center, regularly welcoming scientists and artists in residence.

    The Conservation and Preservation of Film Heritage

    The Jean Vigo Institute’s collection now counts over 5,000 films. This highly diversified collection bears witness to the evolution of cinema, its history and its place in society. All formats and genres are represented: 35mm, 16mm, 9.5mm, 8mm and Super 8, covering fictions, trailers, short films as well as educational films, regional amateur films and experimental films. The collection grows incessantly. The call for regional amateur film collections launched by the Fédération International des Archives du Film, relayed since 2010 by the Jean Vigo Institutethrough its Mémoire Filmique Pyréénes-Méditerranée project, enables us to safeguard and enhance a precious regional collective memory. Furthermore, the Institute has been collecting 35mm prints donated by film distributors after the digital turn.

    Community life and film exhibition

    In the field of cinema promotion and distribution, the Institute’s actions are essentially centered around an yearly program and a film festival. The yearly program offers an average of two screenings a week, with an eclectic selection of classics, documentaries, contemporary independent films, regional films, genre films, family screenings, etc. Meetings with directors are organized around these screenings. In the ppast, audiences had the pleasure of meeting figures such as Eric Judor and Mathieu Amalric. Confrontation, the Institut Jean Vigo film festival, has been running for 53 years, during 6 days in April. Each edition, it explores a theme from the angle of the relationship between film history and society.

    Visual Education

    The Jean Vigo Institute is also keen to develop numerous visual education initiatives. It has been working for several years within the framework of four national systems: School and Cinema, Middle School at the Cinema, High School Students and Apprentices at the Cinema, and Passeurs d’Images. In 2005, it joined the educational services network of the Pyrénées Orientales department to directly interact with pupils and students from kindergarten to university and offer training to teachers. The arts schools of Perpignan and the universities of the territory Perpignan Via Domitia and Montpellier III Paul Valery also regularly join forces with the Jean Vigo Institute around various educational projects.

    Meeting “isolated” spectators

    The projects carried out by the Jean Vigo Institute are intended for a diverse audience, from early childhood to old age, from the so-called “hot” districts of Perpignan to cinephiles. Indeed, special screenings are organized in nurseries, retirement homes and social centers. They are accompanied by a debate or a workshop allowing a privileged exchange between audience and artists.

    Film Poster Exhibitions

    The Jean Vigo Institute’s poster collection includes more than 56,000 pieces. It constitutes the 3rd largest collection of cinema posters in France. It is representative of the entire history of the seventh art, from silent cinema to contemporary productions but also of all genres, from documentary to popular comedy. The safeguarding and conservation of this collection is necessarily accompanied by a restoration policy. Driven by the desire to share these treasures with as many people as possible, exhibitions are regularly organized.

    Publications

    The Jean Vigo Institute has always supported the publication of journals and books on the relationship between history and cinema. Exhibition catalogues and DVDs are also part of the documents that the Institute publishes or co-edits with regional publishing houses.

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    Plus d'information
  • France

    1 Porzh Ginan
    29910 Trégunc

    > See the website

    Jean-Baptiste Masson

    Jean-Baptiste Masson works on listening and its relationships to technology and society. He is currently a Marie Skłodowska-Curie / Bienvenüe fellow based at the Université Rennes 2 and a research fellow at the Cinémathèque de Bretagne, where he works on a manual for the restoration of the sound of amateur films.

    He did his PhD at the University of York, where he worked on the history of the sonic practices of amateurs – the sound hunters. Before going back to academia, he worked as a cultural organiser to organise concerts, festivals, workshops in schools (Dijon), to manage projects with music psychology laboratories in France and Belgium (Reims), and to support the development of a contemporary music ensemble (Soundinitiative, Paris).
    He is also a composer and improviser, and plays machines and electronics in the bands Jah Poney and Colonne Drone.

    Activités :
    • conservation
    • numérisation
    • restauration
    • ressources_pédagogiques
    • materiel
    • recherche

    Contact : Marie Skłodowska-Curie / Bienvenüe fellow, postdoctoral researcher

    jbmasson@pm.me

    France

    1 Porzh Ginan
    29910 Trégunc

    > See the website

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    He did his PhD at the University of York, where he worked on the history of the sonic practices of amateurs – the sound hunters. Before going back to academia, he worked as a cultural organiser to organise concerts, festivals, workshops in schools (Dijon), to manage projects with music psychology laboratories in France and Belgium (Reims), and to support the development of a contemporary music ensemble (Soundinitiative, Paris).
    He is also a composer and improviser, and plays machines and electronics in the bands Jah Poney and Colonne Drone.

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    29910 Trégunc

    > See the website

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    • restauration
    • ressources_pédagogiques
    • materiel
    • recherche
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    He did his PhD at the University of York, where he worked on the history of the sonic practices of amateurs – the sound hunters. Before going back to academia, he worked as a cultural organiser to organise concerts, festivals, workshops in schools (Dijon), to manage projects with music psychology laboratories in France and Belgium (Reims), and to support the development of a contemporary music ensemble (Soundinitiative, Paris).
    He is also a composer and improviser, and plays machines and electronics in the bands Jah Poney and Colonne Drone.

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    Plus d'information
  • Italy

    Via del Colle 20, Siena

    Juan Ignacio Calcagno

    Independent archivist, founder of Archivio della vita quotidiana, a collection of orphan home movies from Italian families.

    Activités :
    • collecte
    • conservation
    • valorisation
    • recherche

    Contact : Archivist

    juanignaciocalcagno@gmail.com

    Italy

    Via del Colle 20, Siena

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    Independent archivist, founder of Archivio della vita quotidiana, a collection of orphan home movies from Italian families.

    [activite] => Activités :
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    • conservation
    • valorisation
    • recherche
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    Plus d'information
  • Switzerland

    Sandrainstrasse 3
    CH-3007 Berne
    +41 31 381 15 05

    > See the website

    Lichtspiel / Cinémathèque of Berne

    The Lichtspiel / Cinémathèque of Berne is a unique cinematographic institution with an open cinema in the heart of the hall, an archive, a workshop and a storehouse, a mix of film theater, museum, service station for cinematographic material and network for film aficionados.

    It all began in the spring of 2000, when the Lichtspiel association was founded, with the aim of safeguarding the endangered collection of film technician Walter Ritschard. The collection was vast and messy, but still useable. Those who visit the attic of the former Ryff hosiery factory in Bern today will be amazed by the diversity and quantity of film material on display, one room following another – and the “treasure trove”, comprising some 25,000 films, is not even visible yet, as it is safely housed in another building. However, the Lichtspiel is not just a collection, but also a museum, an archive and a very special arthouse cinema all under one roof. The visitors are as diverse as the work carried out in the mechanical workshop, the film workshops and the storerooms : professional film-makers, big-screen enthusiasts and technophiles, schoolchildren who are carried back in time, retired people who repair and restore machines and so many more. As the beacon of Bern’s film scene, the Lichtspiel plays an inclusive role, as a center of knowledge creation and exchange, as a place of remembrance, and as a workshop for future projects.

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation

    Contact : David Landolf - Director

    david.landolf@lichtspiel.ch

    Switzerland

    Sandrainstrasse 3
    CH-3007 Berne
    +41 31 381 15 05

    > See the website

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    It all began in the spring of 2000, when the Lichtspiel association was founded, with the aim of safeguarding the endangered collection of film technician Walter Ritschard. The collection was vast and messy, but still useable. Those who visit the attic of the former Ryff hosiery factory in Bern today will be amazed by the diversity and quantity of film material on display, one room following another – and the “treasure trove”, comprising some 25,000 films, is not even visible yet, as it is safely housed in another building. However, the Lichtspiel is not just a collection, but also a museum, an archive and a very special arthouse cinema all under one roof. The visitors are as diverse as the work carried out in the mechanical workshop, the film workshops and the storerooms : professional film-makers, big-screen enthusiasts and technophiles, schoolchildren who are carried back in time, retired people who repair and restore machines and so many more. As the beacon of Bern’s film scene, the Lichtspiel plays an inclusive role, as a center of knowledge creation and exchange, as a place of remembrance, and as a workshop for future projects.

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    The Lichtspiel / Cinémathèque of Berne is a unique cinematographic institution with an open cinema in the heart of the hall, an archive, a workshop and a storehouse, a mix of film theater, museum, service station for cinematographic material and network for film aficionados.

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    CH-3007 Berne
    +41 31 381 15 05

    > See the website

    [links] => [short] =>

    The Lichtspiel / Cinémathèque of Berne is a unique cinematographic institution with an open cinema in the heart of the hall, an archive, a workshop and a storehouse, a mix of film theater, museum, service station for cinematographic material and network for film aficionados.

    [activite] => Activités :
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    • documentation
    • numérisation
    • production
    • valorisation
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    [create_date] => [email] => david.landolf@lichtspiel.ch [text] =>

    It all began in the spring of 2000, when the Lichtspiel association was founded, with the aim of safeguarding the endangered collection of film technician Walter Ritschard. The collection was vast and messy, but still useable. Those who visit the attic of the former Ryff hosiery factory in Bern today will be amazed by the diversity and quantity of film material on display, one room following another – and the “treasure trove”, comprising some 25,000 films, is not even visible yet, as it is safely housed in another building. However, the Lichtspiel is not just a collection, but also a museum, an archive and a very special arthouse cinema all under one roof. The visitors are as diverse as the work carried out in the mechanical workshop, the film workshops and the storerooms : professional film-makers, big-screen enthusiasts and technophiles, schoolchildren who are carried back in time, retired people who repair and restore machines and so many more. As the beacon of Bern’s film scene, the Lichtspiel plays an inclusive role, as a center of knowledge creation and exchange, as a place of remembrance, and as a workshop for future projects.

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    Plus d'information
  • Canada

    3156, Édouard-Montpetit, app. 8
    Montréal, QC, H3T 1J9, Canada

    Louis Pelletier

    Louis Pelletier coordinates the digitization of heritage small-gauge films at Université de Montréal (Canada), where he also teaches film history and film preservation. He holds a PhD in Communication from Concordia University, and has published on film history, amateur cinema, home movies, and film technology in many journals. He the co-editor of Tales from the Vaults: Film Technology over the Years and across Continents (FIAF/Technès, 2023).

    Activités :
    • collecte
    • numérisation
    • valorisation
    • publication
    • recherche

    Contact : Researcher and lecturer

    pelletieroscope@gmail.com

    Canada

    3156, Édouard-Montpetit, app. 8
    Montréal, QC, H3T 1J9, Canada

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    Montréal, QC, H3T 1J9, Canada

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    Louis Pelletier coordinates the digitization of heritage small-gauge films at Université de Montréal (Canada), where he also teaches film history and film preservation. He holds a PhD in Communication from Concordia University, and has published on film history, amateur cinema, home movies, and film technology in many journals. He the co-editor of Tales from the Vaults: Film Technology over the Years and across Continents (FIAF/Technès, 2023).

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    • valorisation
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    • recherche
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    Plus d'information
  • France

    103 rue Maréchal Juin
    50000 Saint-Lô
    +33 2 33 75 10 53

    > See the website

    Manche Regional Archives

    The sound and audiovisual archives department of the Manche Regional Archives was created at the end of 2000. Initially dedicated only to sound archives, the service later was extended to comprise audiovisual archives as well.

    The department has both a historical and a heritage dimension. It is in charge of collecting, on the one hand, the testimonies of those who took part in, witnessed or kept alive the key events of last century, and on the other, traditional and contemporary knowledge and know-how. It is also responsible for gathering sound and audiovisual documents concerning the region, for private and professional use.

    The main themes featured in the collections, which all contribute to the production of the cultural identity of the Manche region, are: oral literature (traditional songs, tales, proverbs), the memory of lived experience (pas and present testimonies of everyday life, with its cultural habits and historical upheavals), techniques and know-how.

    Since 2016, it takes part in the L’Ecume des films Festival, where it is in charge of the creation of montages based on audiovisual archives, in collaboration with two other partners (Normandie Images and Fabrique de Patrimoines).

    Activités :
    • conservation

    Contact : Domnine Plume - manager of the sound and audiovisual archive resource center

    domnine.plume@manche.fr

    France

    103 rue Maréchal Juin
    50000 Saint-Lô
    +33 2 33 75 10 53

    > See the website

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    The main themes featured in the collections, which all contribute to the production of the cultural identity of the Manche region, are: oral literature (traditional songs, tales, proverbs), the memory of lived experience (pas and present testimonies of everyday life, with its cultural habits and historical upheavals), techniques and know-how.

    Since 2016, it takes part in the L’Ecume des films Festival, where it is in charge of the creation of montages based on audiovisual archives, in collaboration with two other partners (Normandie Images and Fabrique de Patrimoines).

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    • conservation
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    Since 2016, it takes part in the L’Ecume des films Festival, where it is in charge of the creation of montages based on audiovisual archives, in collaboration with two other partners (Normandie Images and Fabrique de Patrimoines).

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    Plus d'information
  • France

    Paris

    > See the website

    Marie Termignon

    Marie Termignon searches for audiovisual archival images and clarifies their rights for film productions, documentary or fiction series, stage productions and exhibitions.
    From documentation to conformation, budgeting and price negotiation, she takes care of the archive follow-up for any audiovisual or digital project.

    Activités :
    • recherche

    Contact : Audiovisual Documentalist

    marietermignon@gmail.com

    France

    Paris

    > See the website

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    > See the website

    [links] => [short] =>

    Marie Termignon searches for audiovisual archival images and clarifies their rights for film productions, documentary or fiction series, stage productions and exhibitions.
    From documentation to conformation, budgeting and price negotiation, she takes care of the archive follow-up for any audiovisual or digital project.

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    Plus d'information
  • France

    31 rue Kageneck
    Strasbourg 67000

    > See the website

    MIRA

    Since 2006, MIRA has been dedicated to collecting, preserving and promoting previously unseen amateur and professional films from Alsace. It helps us discover an unknown history, that of the everyday man, an important counterpoint to official history. Based at the Maison de l’image in Strasbourg since 2013, MIRA boasts nearly 300 collections and over 6,000 film reels.

    Founded in 2006, MIRA – The Regional Digital Cinémathèque of Alsace, aims to save from extinction the amateur films made by Alsatians or about Alsace since the beginnings of cinema. In 8, Super 8, 9.5, 16, 17.5 and 35 mm formats, these films bear witness to the anonymous history of the region, and help to nuance and complete the official history. MIRA collects, inventories and documents the films in a database. Each sequence is associated with a series of keywords that enable a rapid and relevant search. Digitized in high definition, the films are promoted and made accessible to as many people as possible via the online film catalog. Unpublished objects of memory and creation, these images are at the heart of events and screenings for the general public, as well as being used for exhibitions, audiovisual productions, citizen projects, research and contemporary creations.

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • ressources_pédagogiques
    • réseaux
    • publication

    Contact : Marion Brun - Collections Manager

    marion.brun@miralsace.eu

    France

    31 rue Kageneck
    Strasbourg 67000

    > See the website

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    Strasbourg 67000 [activites] => Array ( [0] => collecte [1] => conservation [2] => documentation [3] => numérisation [4] => production [5] => valorisation [6] => ressources_pédagogiques [7] => réseaux [8] => publication ) [structure] => structure [contact_name] => Marion Brun - Collections Manager [contact_email] => marion.brun@miralsace.eu [contact_logo] => Array ( [ID] => 582 [id] => 582 [title] => MIRA-Memoire-des-Images-Reanimees-d-Alsace [filename] => MIRA-Memoire-des-Images-Reanimees-d-Alsace.jpg [filesize] => 190145 [url] => https://inedits.eu/wp-content/uploads/2024/05/MIRA-Memoire-des-Images-Reanimees-d-Alsace.jpg [link] => https://inedits.eu/en/inedits_content/mira/mira-memoire-des-images-reanimees-d-alsace-2/ [alt] => Mémoire des Images Réanimées d'Alsace [author] => 1 [description] => [caption] => [name] => mira-memoire-des-images-reanimees-d-alsace-2 [status] => inherit [uploaded_to] => 22724 [date] => 2024-05-27 12:59:30 [modified] => 2025-02-20 14:55:56 [menu_order] => 0 [mime_type] => image/jpeg [type] => image [subtype] => jpeg [icon] => https://inedits.eu/wp-includes/images/media/default.png [width] => 2116 [height] => 2552 [sizes] => Array ( [thumbnail] => https://inedits.eu/wp-content/uploads/2024/05/MIRA-Memoire-des-Images-Reanimees-d-Alsace-150x150.jpg [thumbnail-width] => 150 [thumbnail-height] => 150 [medium] => https://inedits.eu/wp-content/uploads/2024/05/MIRA-Memoire-des-Images-Reanimees-d-Alsace-250x302.jpg [medium-width] => 248 [medium-height] => 300 [medium_large] => https://inedits.eu/wp-content/uploads/2024/05/MIRA-Memoire-des-Images-Reanimees-d-Alsace-768x926.jpg [medium_large-width] => 768 [medium_large-height] => 926 [large] => https://inedits.eu/wp-content/uploads/2024/05/MIRA-Memoire-des-Images-Reanimees-d-Alsace-700x844.jpg [large-width] => 700 [large-height] => 844 [1536x1536] => https://inedits.eu/wp-content/uploads/2024/05/MIRA-Memoire-des-Images-Reanimees-d-Alsace-1274x1536.jpg [1536x1536-width] => 1274 [1536x1536-height] => 1536 [2048x2048] => https://inedits.eu/wp-content/uploads/2024/05/MIRA-Memoire-des-Images-Reanimees-d-Alsace-1698x2048.jpg [2048x2048-width] => 1698 [2048x2048-height] => 2048 [small] => https://inedits.eu/wp-content/uploads/2024/05/MIRA-Memoire-des-Images-Reanimees-d-Alsace-120x145.jpg [small-width] => 120 [small-height] => 145 [custom-size] => https://inedits.eu/wp-content/uploads/2024/05/MIRA-Memoire-des-Images-Reanimees-d-Alsace-700x200.jpg [custom-size-width] => 700 [custom-size-height] => 200 ) ) [short_text] =>

    Since 2006, MIRA has been dedicated to collecting, preserving and promoting previously unseen amateur and professional films from Alsace. It helps us discover an unknown history, that of the everyday man, an important counterpoint to official history. Based at the Maison de l’image in Strasbourg since 2013, MIRA boasts nearly 300 collections and over 6,000 film reels.

    [text] =>

    Founded in 2006, MIRA – The Regional Digital Cinémathèque of Alsace, aims to save from extinction the amateur films made by Alsatians or about Alsace since the beginnings of cinema. In 8, Super 8, 9.5, 16, 17.5 and 35 mm formats, these films bear witness to the anonymous history of the region, and help to nuance and complete the official history. MIRA collects, inventories and documents the films in a database. Each sequence is associated with a series of keywords that enable a rapid and relevant search. Digitized in high definition, the films are promoted and made accessible to as many people as possible via the online film catalog. Unpublished objects of memory and creation, these images are at the heart of events and screenings for the general public, as well as being used for exhibitions, audiovisual productions, citizen projects, research and contemporary creations.

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    31 rue Kageneck
    Strasbourg 67000

    > See the website

    [links] => [short] =>

    Since 2006, MIRA has been dedicated to collecting, preserving and promoting previously unseen amateur and professional films from Alsace. It helps us discover an unknown history, that of the everyday man, an important counterpoint to official history. Based at the Maison de l’image in Strasbourg since 2013, MIRA boasts nearly 300 collections and over 6,000 film reels.

    [activite] => Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • ressources_pédagogiques
    • réseaux
    • publication
    [contact] => Marion Brun - Collections Manager [contact_email] => marion.brun@miralsace.eu [contact_image] =>
    [create_date] => [email] => marion.brun@miralsace.eu [text] =>

    Founded in 2006, MIRA – The Regional Digital Cinémathèque of Alsace, aims to save from extinction the amateur films made by Alsatians or about Alsace since the beginnings of cinema. In 8, Super 8, 9.5, 16, 17.5 and 35 mm formats, these films bear witness to the anonymous history of the region, and help to nuance and complete the official history. MIRA collects, inventories and documents the films in a database. Each sequence is associated with a series of keywords that enable a rapid and relevant search. Digitized in high definition, the films are promoted and made accessible to as many people as possible via the online film catalog. Unpublished objects of memory and creation, these images are at the heart of events and screenings for the general public, as well as being used for exhibitions, audiovisual productions, citizen projects, research and contemporary creations.

    [readMore] => > Read more [css_class] => flt_country|France flt_Activities|collecte flt_Activities|conservation flt_Activities|documentation flt_Activities|numérisation flt_Activities|production flt_Activities|valorisation flt_Activities|ressources_pédagogiques flt_Activities|réseaux flt_Activities|publication flt_type|structure flt_type|structure ) )
    Plus d'information
  • Czechia

    Závišova 502/5
    140 00 Prague
    +420 778 522 723

    > See the website

    Národní filmový archiv / Czech Film Archives

    National Film Archive (Národní filmový archiv), established in 1943, is one of the oldest film heritage institutions in the World. Its collections are large, ranging from Czech fiction, non-fiction and animated films, to posters, photographs, screenplays, paper documentation. The collection of amateur films and home movies was founded in 2000.

    Národní filmový archiv is focused on preservation of the Czech professional film production. Amateur and family films began to be systematically collected in this archive in 2000. This part of the collection currently includes about 2,500 amateur documentary, feature, animated and home movies. Various formats show up: 16 mm, 9.5 mm, Normal and Super 8. The 35 mm format is less represented. The oldest amateur materials are from 1913. The most recent are from the 1990s.

    Création de la structure en 1943

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • restauration
    • materiel
    • réseaux
    • publication
    • recherche

    Contact : Jiri Hornicek - Amateur Film Collection Curator

    jiri.hornicek@nfa.cz

    Czechia

    Závišova 502/5
    140 00 Prague
    +420 778 522 723

    > See the website

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    [short_text] =>

    National Film Archive (Národní filmový archiv), established in 1943, is one of the oldest film heritage institutions in the World. Its collections are large, ranging from Czech fiction, non-fiction and animated films, to posters, photographs, screenplays, paper documentation. The collection of amateur films and home movies was founded in 2000.

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    140 00 Prague
    +420 778 522 723

    > See the website

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    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • restauration
    • materiel
    • réseaux
    • publication
    • recherche
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    Plus d'information
  • Luxembourg

    1b rue du Centenaire
    L-3475 Dudelange
    +352 52 24 241

    > See the website

    National Audiovisual Center

    Both a platform open to the general public and a professional institution, the National Audiovisual Center was created in 1989 under the authority of the Ministry of Culture. The Center’s mission is to preserve and promote Luxembourg’s audiovisual heritage, and to make the culture of sound, still and moving images accessible to all, through exhibitions, publications, screenings, conferences and other events aimed at a wide audience.

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production

    Contact : Victor Pranchère - Head of the Preservation Department

    victor.pranchere@cna.etat.lu

    Luxembourg

    1b rue du Centenaire
    L-3475 Dudelange
    +352 52 24 241

    > See the website

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    1b rue du Centenaire
    L-3475 Dudelange
    +352 52 24 241

    > See the website

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    Both a platform open to the general public and a professional institution, the National Audiovisual Center was created in 1989 under the authority of the Ministry of Culture. The Center’s mission is to preserve and promote Luxembourg’s audiovisual heritage, and to make the culture of sound, still and moving images accessible to all, through exhibitions, publications, screenings, conferences and other events aimed at a wide audience.

    [activite] => Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    [contact] => Victor Pranchère - Head of the Preservation Department [contact_email] => victor.pranchere@cna.etat.lu [contact_image] =>
    [create_date] => [email] => victor.pranchere@cna.etat.lu [text] => [readMore] => > Read more [css_class] => flt_country|Luxembourg flt_Activities|collecte flt_Activities|conservation flt_Activities|documentation flt_Activities|numérisation flt_Activities|production flt_type|structure flt_type|structure ) )
    Plus d'information
  • France

    Quai François Mauriac
    75706 Paris cedex 13

    > See the website

    National Library of France

    The Sound, Video and Multimedia Department of the National Library of France preserves and promotes the institution’s collections of sound, multimedia (software, video games, VR) and moving image collections, obtained through legal deposit, but also through acquisition, donation or voluntary deposit. This represents a total of almost 2,000,000 documents.

    Books and journals related to these topics, as well as specific archive collections, are also available for consultation.

    The department also holds the Charles Cros collection, a unique gathering of 1,300 sound, video and multimedia recording and playback devices. It promotes its collections by organizing events and participating in the Library’s exhibitions and events.

    Due to legal deposit and donations, the Video department has preserved an important number of amateur film holdings: over 3,400 films shot on video by members of the Fédération française de cinéma et de vidéo (FFCV) between the 1990s and the present day, and several thousand films shot in artistic workshops from the 1970s to the present day (holdings of the Kyrnéa International Association, productions of the Passeurs d’images program; holdings of the Paris branch of OROLEIS). Commissioned films, corporate films and institutional films also feature prominently in the collections (nearly 40,000 documents in total). Many associations have also deposited their productions.

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • valorisation
    • restauration
    • materiel
    • recherche

    Contact : Julie Guillaumot - Video Department Manager

    julie.guillaumot@bnf.fr

    France

    Quai François Mauriac
    75706 Paris cedex 13

    > See the website

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    Books and journals related to these topics, as well as specific archive collections, are also available for consultation.

    The department also holds the Charles Cros collection, a unique gathering of 1,300 sound, video and multimedia recording and playback devices. It promotes its collections by organizing events and participating in the Library’s exhibitions and events.

    Due to legal deposit and donations, the Video department has preserved an important number of amateur film holdings: over 3,400 films shot on video by members of the Fédération française de cinéma et de vidéo (FFCV) between the 1990s and the present day, and several thousand films shot in artistic workshops from the 1970s to the present day (holdings of the Kyrnéa International Association, productions of the Passeurs d’images program; holdings of the Paris branch of OROLEIS). Commissioned films, corporate films and institutional films also feature prominently in the collections (nearly 40,000 documents in total). Many associations have also deposited their productions.

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    75706 Paris cedex 13

    > See the website

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    Books and journals related to these topics, as well as specific archive collections, are also available for consultation.

    The department also holds the Charles Cros collection, a unique gathering of 1,300 sound, video and multimedia recording and playback devices. It promotes its collections by organizing events and participating in the Library’s exhibitions and events.

    Due to legal deposit and donations, the Video department has preserved an important number of amateur film holdings: over 3,400 films shot on video by members of the Fédération française de cinéma et de vidéo (FFCV) between the 1990s and the present day, and several thousand films shot in artistic workshops from the 1970s to the present day (holdings of the Kyrnéa International Association, productions of the Passeurs d’images program; holdings of the Paris branch of OROLEIS). Commissioned films, corporate films and institutional films also feature prominently in the collections (nearly 40,000 documents in total). Many associations have also deposited their productions.

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    Plus d'information
  • Netherlands

    Media Parkboulevard 1,
    1217 WE Hilversum

    > See the website

    Netherlands Institute for Sound & Vision

    The amateur film collection of Sound & Vision shows the long history of small-gauge film in the Netherlands with over 6000 films, more than 5000 camera’s, projectors and other equipment and related magazines and books.

    Sound & Vision is the media archive of the Netherlands. It holds not only audiovisual material but also equipment for film, television and communication, related magazines and photo’s and a collection of political cartoons. In 2004 the collection of the former ‘Smalfilmmuseum’ was handed over to Sound & Vision. The museum was founded mid 1980’s and collected equipment, films and all things related to amateur film. It shows the history of small-gauge film in the Netherlands from the 1910’s. Since 2004 more people donated their home movies and amateur movies. The collection holds over 6000 films at the moment, more than 5000 camera ‘s, projectors and other equipment and all the small-gauge magazines published in the Netherlands. All films are digitized and can be consulted and ordered in our online catalogue. We work closely with documentary filmmakers on various subjects, with amateur film always being a popular collection to consult.

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • valorisation
    • ressources_pédagogiques
    • materiel
    • réseaux
    • publication
    • recherche

    Contact : Valentine Kuypers - Curator

    vkuypers@beeldengeluid.nl

    Netherlands

    Media Parkboulevard 1,
    1217 WE Hilversum

    > See the website

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    > See the website

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    Plus d'information
  • France

    Association Prise 2, 4 rue Cluvier, bât. C.
    F-06000 Nice

    > See the website

    Nives Sartori (Association Prise 2)

    Since 2018, the association has been managing the Batritchevitch Collection, which consists mainly of amateur 8 mm and super 8 films shot all over the world, including behind-the-scenes footage from the 1950s, 60s and 70s.

    Most of these films were shot and edited by Dimitri Batritchevitch. Born in Nice and remaining deeply attached to the district of Las Planas for all of his life, Batritchevitch was a documentary filmmaker who travelled in North and South America and in Australia, a chief grip, notably at the Studios de la Victorine, and a projectionist in several theatres in the Alpes-Maritimes.

    Activités :
    • conservation
    • documentation
    • production
    • valorisation

    Contact : In charge of the Batritchevitch Collection

    associationprise2@hotmail.com

    France

    Association Prise 2, 4 rue Cluvier, bât. C.
    F-06000 Nice

    > See the website

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    > See the website

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    Most of these films were shot and edited by Dimitri Batritchevitch. Born in Nice and remaining deeply attached to the district of Las Planas for all of his life, Batritchevitch was a documentary filmmaker who travelled in North and South America and in Australia, a chief grip, notably at the Studios de la Victorine, and a projectionist in several theatres in the Alpes-Maritimes.

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    Plus d'information
  • France

    L'Atrium, 115 boulevard de l’Europe
    F-76100 Rouen
    +33 2 35 70 20 21 sdt +33 2 35 89 12 59 direct

    > See the website

    Normandie Images

    Created in 1986, Normandie Image aims to recover and make available, through the preservation and diffusion of so-called ‘orphan’ films (not originally destined for theatrical realease), the region’s collective moving image memory.

    These films, shot mainly by amateur filmmakers from the 1920s onwards, constitute traces of the region’s cultural, sporting, tourist, social and economic history, or simply testimonies to the daily lives of their contemporaries. More than 6,000 reels of film in various formats (9.5 mm, 8 mm, Super 8, 16 mm, 35 mm) are stored on site in special preservation facilities, subject to deposit and rights assignment contracts.

    These films, which can be consulted online at memoirenormande.fr, are widely studied and used both for current audiovisual productions and for a variety of cultural events (exhibitions, film concerts, symposia, etc.).

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • ressources_pédagogiques
    • materiel
    • réseaux
    • publication
    • recherche

    Contact : Agnès Deleforge - Manager of the Cinematographic and Audiovisual Memory Department

    agnesdeleforge@normandieimages.fr

    France

    L'Atrium, 115 boulevard de l’Europe
    F-76100 Rouen
    +33 2 35 70 20 21 sdt +33 2 35 89 12 59 direct

    > See the website

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    +33 2 35 70 20 21 sdt +33 2 35 89 12 59 direct

    > See the website

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    Created in 1986, Normandie Image aims to recover and make available, through the preservation and diffusion of so-called ‘orphan’ films (not originally destined for theatrical realease), the region’s collective moving image memory.

    [activite] => Activités :
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    • documentation
    • numérisation
    • production
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    • publication
    • recherche
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    [create_date] => [email] => agnesdeleforge@normandieimages.fr [text] =>

    These films, shot mainly by amateur filmmakers from the 1920s onwards, constitute traces of the region’s cultural, sporting, tourist, social and economic history, or simply testimonies to the daily lives of their contemporaries. More than 6,000 reels of film in various formats (9.5 mm, 8 mm, Super 8, 16 mm, 35 mm) are stored on site in special preservation facilities, subject to deposit and rights assignment contracts.

    These films, which can be consulted online at memoirenormande.fr, are widely studied and used both for current audiovisual productions and for a variety of cultural events (exhibitions, film concerts, symposia, etc.).

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    Plus d'information
  • Belgium

    rue Emile Feron 153
    1060 Saint-Gilles

    Peliskan

    Peliskan is a non-profit organization founded in Brussels in 2019 by filmmakers who are members of Brussels-based artisan laboratories such as Labo Bruxelles and Labobis.

    The association was born of a shared desire to facilitate access to low-cost digitization of film in various formats (8mm, Super 8, 9mm and 16mm), particularly for artists and marginal, precarious and original productions.
    It also carries out heritage projects. The creation of an archive around the National Super 8 Film Festival is Peliskan’s first heritage conservation project, and the starting point for the creation of future archives dedicated to Belgian visual memory.

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • valorisation
    • restauration

    Contact : Mariette Michaud - Artistic Coordinator

    coordinationa@peliskan.be

    Belgium

    rue Emile Feron 153
    1060 Saint-Gilles

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    Plus d'information
  • Switzerland

    via Balgine 6
    CH-6997 Sessa
    +41 91 945 00 00

    > See the website

    Rolf Leuenberger

    Rolf Leuenberger is an amateur filmmaker since the early 1970s, a collector and curator

    In 1984, he founded the amateur film club CiAC – Cineamatori Ceresio Lugano and was its president for 18 years. Since 2021, he has been president of the international film association UNICA and owns a private museum of film technology in 8mm, Super8, 9.5mm and 16mm formats. Tours for interested groups are available on request.

    Activités :
    • collecte
    • conservation
    • documentation
    • valorisation
    • materiel

    Contact : Amateur filmmaker / Museum Owner

    afa-sessa@bluewin.ch

    Switzerland

    via Balgine 6
    CH-6997 Sessa
    +41 91 945 00 00

    > See the website

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    > See the website

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    Rolf Leuenberger is an amateur filmmaker since the early 1970s, a collector and curator

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    • documentation
    • valorisation
    • materiel
    [contact] => Amateur filmmaker / Museum Owner [contact_email] => afa-sessa@bluewin.ch [contact_image] =>
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    In 1984, he founded the amateur film club CiAC – Cineamatori Ceresio Lugano and was its president for 18 years. Since 2021, he has been president of the international film association UNICA and owns a private museum of film technology in 8mm, Super8, 9.5mm and 16mm formats. Tours for interested groups are available on request.

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    Plus d'information
  • France

    28 place Saint-Georges
    F-75009 Paris
    +33 1 53 32 75 08

    > See the website

    Simone de Beauvoir Audiovisual Centre

    The Simone de Beauvoir Audiovisual Centre (CASdB) is an archive dedicated to collecting, preserving and promoting videos and films from all over the world on the subject of women and feminism, from the 1970s to the present day.

    Rising from the enthusiasm of May 68 and the Estates General of the cinema, interventionist cinema also rose from its ashes, with the desire to film reality as it happens and to act on the protest movements. In this effervescent and activist context, women directors seized on the cinema’s new resources such as video, using Sony’s Portapak movie cameras. These directors accompanied their history and battles and took charge of their own representation. Like Virginia Woolf who demanded “a room of her own” feminists demanded “a camera of their own”. More or less everywhere in France, video collectives — un-incorporated, fluctuating and innovative — grew.

    It is on those bases, with the concern of video tapes conservation and with the aim to increase production, that the Simone de Beauvoir Audiovisual Centre was funded in 1982 by Carole Roussopoulos, Ioana Wieder, both filmmakers and feminist video pioneers, and Delphine Seyrig, actress and activist film director.

    Today, the CASdB’s missions include:

    • The preservation and restoration of a collection of more than 1,200 titles about Women’s history, struggles, art, creation and LGBTQI rights.
    • Film circulation and non profit distribution through programming and projections in France and abroad.
    • Workshops in schools and high-schools on image analysis, gender stereotypes in film, history of women’s rights through feminist cinema and pedagogical internet site : Genrimages.
    • Production of new footage.
    • Avaibility of audiovisuals contents.
    • Films distribution and sale of images; video editing.

    The film collection of the Simone de Beauvoir Audiovisual Center is composed of many previously unseen and original works. The collection is a fundamental part of the audiovisual heritage of the 1970-1980 period. We continue to enrich the collection with 21st century productions.

    Création de la structure en 2003

    Activités :
    • collecte
    • conservation
    • documentation
    • valorisation

    Contact : Peggy Préau - Archives and distribution manager

    doc@centre-simone-de-beauvoir.com

    France

    28 place Saint-Georges
    F-75009 Paris
    +33 1 53 32 75 08

    > See the website

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    It is on those bases, with the concern of video tapes conservation and with the aim to increase production, that the Simone de Beauvoir Audiovisual Centre was funded in 1982 by Carole Roussopoulos, Ioana Wieder, both filmmakers and feminist video pioneers, and Delphine Seyrig, actress and activist film director.

    Today, the CASdB’s missions include:

    • The preservation and restoration of a collection of more than 1,200 titles about Women’s history, struggles, art, creation and LGBTQI rights.
    • Film circulation and non profit distribution through programming and projections in France and abroad.
    • Workshops in schools and high-schools on image analysis, gender stereotypes in film, history of women’s rights through feminist cinema and pedagogical internet site : Genrimages.
    • Production of new footage.
    • Avaibility of audiovisuals contents.
    • Films distribution and sale of images; video editing.

    The film collection of the Simone de Beauvoir Audiovisual Center is composed of many previously unseen and original works. The collection is a fundamental part of the audiovisual heritage of the 1970-1980 period. We continue to enrich the collection with 21st century productions.

    [short_text] =>

    The Simone de Beauvoir Audiovisual Centre (CASdB) is an archive dedicated to collecting, preserving and promoting videos and films from all over the world on the subject of women and feminism, from the 1970s to the present day.

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    28 place Saint-Georges
    F-75009 Paris
    +33 1 53 32 75 08

    > See the website

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    The Simone de Beauvoir Audiovisual Centre (CASdB) is an archive dedicated to collecting, preserving and promoting videos and films from all over the world on the subject of women and feminism, from the 1970s to the present day.

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    • valorisation
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    [create_date] => 2003 [email] => doc@centre-simone-de-beauvoir.com [text] =>

    Rising from the enthusiasm of May 68 and the Estates General of the cinema, interventionist cinema also rose from its ashes, with the desire to film reality as it happens and to act on the protest movements. In this effervescent and activist context, women directors seized on the cinema’s new resources such as video, using Sony’s Portapak movie cameras. These directors accompanied their history and battles and took charge of their own representation. Like Virginia Woolf who demanded “a room of her own” feminists demanded “a camera of their own”. More or less everywhere in France, video collectives — un-incorporated, fluctuating and innovative — grew.

    It is on those bases, with the concern of video tapes conservation and with the aim to increase production, that the Simone de Beauvoir Audiovisual Centre was funded in 1982 by Carole Roussopoulos, Ioana Wieder, both filmmakers and feminist video pioneers, and Delphine Seyrig, actress and activist film director.

    Today, the CASdB’s missions include:

    • The preservation and restoration of a collection of more than 1,200 titles about Women’s history, struggles, art, creation and LGBTQI rights.
    • Film circulation and non profit distribution through programming and projections in France and abroad.
    • Workshops in schools and high-schools on image analysis, gender stereotypes in film, history of women’s rights through feminist cinema and pedagogical internet site : Genrimages.
    • Production of new footage.
    • Avaibility of audiovisuals contents.
    • Films distribution and sale of images; video editing.

    The film collection of the Simone de Beauvoir Audiovisual Center is composed of many previously unseen and original works. The collection is a fundamental part of the audiovisual heritage of the 1970-1980 period. We continue to enrich the collection with 21st century productions.

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    Plus d'information
  • Switzerland

    Casino de Montbenon - C.P. 5556
    1002 Lausanne

    > See the website

    Swiss Cinematheque

    Founded in 1948, the Swiss Cinematheque is recognised by FIAF as one of the ten most important film archives in the world in term of the size, diversity and quality of its collections.

    In addition to the 85,000 fiction and documentary films, it holds thousands of hours of film documents, the archives of the Ciné-Journal suisse, as well as millions of posters, photographs, sceenplays, books and periodicals, sets and antique equipment. The institution offers retrospectives, tributes and thematic cycles, and organises numerous events in the presence of film personalities, in Lausanne or at festivals.

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • valorisation
    • restauration
    • ressources_pédagogiques
    • materiel
    • réseaux
    • publication
    • recherche

    Contact : Caroline Fournier - Manager of the Heritage Department

    caroline.fournier@cinematheque.ch

    Switzerland

    Casino de Montbenon - C.P. 5556
    1002 Lausanne

    > See the website

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    In addition to the 85,000 fiction and documentary films, it holds thousands of hours of film documents, the archives of the Ciné-Journal suisse, as well as millions of posters, photographs, sceenplays, books and periodicals, sets and antique equipment. The institution offers retrospectives, tributes and thematic cycles, and organises numerous events in the presence of film personalities, in Lausanne or at festivals.

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    Plus d'information
  • Netherlands

    Open University of the Netherlands, Valkenburgerweg 177
    6419 AT Heerlen, Netherlands

    > See the website

    Tim van der Heijden

    Tim van der Heijden is Assistant Professor at the Faculty of Humanities at the Open University of the Netherlands.

    He obtained a PhD degree in media history from Maastricht University. His dissertation “Hybrid Histories: Technologies of Memory and the Cultural Dynamics of Home Movies (1895-2005)” investigates the relation between changing media technologies (film, video, digital media) and home movie practices from a longue durée perspective.

    Between 2017 and 2021, he worked as a postdoctoral researcher at the Luxembourg Centre for Contemporary and Digital History (C2DH) of the University of Luxembourg. He is a board member of the Dutch Foundation of Amateur Film (“Stichting Amateurfilm“).

    Activités :
    • recherche

    Contact : Researcher

    tim.vanderheijden@ou.nl

    Netherlands

    Open University of the Netherlands, Valkenburgerweg 177
    6419 AT Heerlen, Netherlands

    > See the website

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    He obtained a PhD degree in media history from Maastricht University. His dissertation “Hybrid Histories: Technologies of Memory and the Cultural Dynamics of Home Movies (1895-2005)” investigates the relation between changing media technologies (film, video, digital media) and home movie practices from a longue durée perspective.

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    Between 2017 and 2021, he worked as a postdoctoral researcher at the Luxembourg Centre for Contemporary and Digital History (C2DH) of the University of Luxembourg. He is a board member of the Dutch Foundation of Amateur Film (“Stichting Amateurfilm“).

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    Plus d'information
  • Switzerland

    Avenue de la Gare 15
    1920 Martigny
    +41 27 607 15 40

    > See the website

    Valais-Martigny Media Library

    Founded in 1987 as the Valaisian Film Centre, the Valais – Martigny Media Library’s mission is to collect, preserve and promote the audiovisual heritage of the canton of Valais in Switzerland.

    Since 2002, the Médiathèque Valais – Martigny has also been the municipal library for the town of Martigny. Very active in promoting the collections it holds, the Médiathèque Martigny organizes exhibitions and events throughout the year.

    Activités :
    • collecte
    • conservation
    • documentation
    • numérisation
    • production
    • valorisation
    • réseaux
    • publication

    Contact : Sylvie Delèze - Director

    MEDIATHEQUE-VALAIS-MARTIGNY@admin.vs.ch

    Switzerland

    Avenue de la Gare 15
    1920 Martigny
    +41 27 607 15 40

    > See the website

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    Plus d'information